Author: Erica Drayton Writes

  • A Long March | A 100 Word Story

    #340 National Poetry Month – 30 Days 30 Poems

    The funeral march began at dawn
    Pallbearers numbered six in all
    Stood shoulder to shoulder
    A casket between them

    No one knew who was inside
    A death less important than the journey
    Down the streets where all could see
    They marched and marched endlessly

    Everyone joined in time
    The children mimicking their adults
    The adults mimicking their ancestors
    Of a ritual not long forgotten or fully remembered

    Until the sun began to set
    And whispered glances watched—waited
    For the moment when the casket’s opened
    Whoever’s inside left with a decision

    Rise and face the world alone
    Or return home

    Learn more about National Poetry Month HERE.

  • The Night Shift – Epilogue

    Anatomy of Typewriters Story / 1,399 words / 6min Read Time

    This is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents in this story are either the product of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

    The content below was originally paywalled.

    An old station wagon pulls into view on the CCTV in the control room and a young man exits on the passenger side, hoody up to shield him from the pouring rain, he runs around the car towards the side entrance. He stops. The driver side window rolls down and a woman sticks her head out, shouting to him. He turns and hesitates but walks towards the car eventually, bends low, and kisses the driver on the cheek before hurrying inside the mall. The driver sticks her head out the window, a mop of wet grey hair blowing in the wind, and spits at the ground, then pulls her head back inside the car and pulls out, leaving her window rolled down.

    The young man wipes his boots on the mat just inside the heavy metal door and starts to unzip his jacket. His boots echo in the corridor accompanied by the grumble of his stomach. He preferred the morning shift because it meant he could buy breakfast at one of the many options in the mall food court and didn’t have to suffer through his grandmother’s lack of cooking skills.

    He reached the control room and knocked like he does every week night, expecting Tripp to be there to let him in. But this morning there was no one. He looked through the long, thin, rectangular window next to the door handle that stretched the height of the door and saw the office was empty. He punched in the four digit code on the door handle and pulled it open when he heard the buzz and click.

    Taped on one of the CCTV monitors was a typed note:

    “Loading dock.”

    That was all it said. The monitor the note covered happened to be for the loading dock and the man squinted to try and make out if who he saw bent low with gloves and a bucket and mop on the screen was Tripp.

    Unable to make out who it was, he made his way down to the loading dock. It was frowned upon to have overlapping time cards so he couldn’t clock in until Tripp clocked out. He needed every penny this job was paying him so he could  move out of his grandmother’s tiny cramped two bedroom house. He only agreed to move in temporarily when grandpa died, with no other siblings and his own parent’s gone, she needed him to help out around the house.

    The way he saw it he had two options: Wait for her to join his grandpa, who died of natural causes in his sleep, or work two jobs so he could afford a home aid to help his grandmother and he could finally move out. It was coming onto a year of living under her roof and it didn’t take him long to understand why his mother moved out when she turned sixteen. How his grandpa lasted as long as he did living with her, he couldn’t figure out. Maybe he really did love the woman.

    At the start of the long corridor towards the loading dock he smelled the bleach first, it was strong and it made his eyes squint. It was only six in the morning and the cleaners weren’t due in for another hour.

    “Hey, Tripp, that you? Man, are you cleaning down here? It’s six, man. Time to hit the—” He stopped talking when he got to the end of the corridor and rounded the corner, surprised to see Guy standing there, yellow gloves on both hands, a mop in one hand, sitting in a bucket of sudsy water, and a large sponge in the other, that was once yellow but was now clearly pinkish red.

    “You must be the new guy, right? Remind me what your name is again?” Guy let go of the mop and dropped the sponge in the bucket so he could take the gloves off  and extended one hand to shake.

    Not making eye contact with Guy but instead surveying the area around them that had been recently mopped down heavily with bleach, he extended a hand and said, “Yeah, I’m Lonnie. But I’m not new. I mean, I started here six months ago so I don’t feel like the new guy anymore. You must be…Aaron?”

    He met Tripp before, every morning in fact, and he knew that Aaron was the relief should Tripp ever need to leave early, from studying the calendar on the wall inside the control room.

    “Oh, no, I’m Guy. Seems Tripp had an emergency and Aaron just wasn’t as obliging,” Guy said, a big grin on his face. “Cut his hand and left blood everywhere on his way out. Crazy night, but now that you’re here I guess I’ll leave the rest for the cleaners. I’m sure you want to clock in.”

    Guy put his arm around Lonnie’s shoulder and directed him back around the corner and back down the corridor. “Man, musta been a lot of blood,” Lonnie said, observing just how much mopping and scrubbing of the walls Guy had done. 

    “Yeah, I told him to take a couple weeks off to heal. Between you and me, I don’t think he’ll be coming back. Some guys just can’t hack the night shift. They get a wild imagination. Scared of what happens in the dark,” Guy said, making his voice low and almost like a whisper to sound spookier. “How about you, Lonnie?

    “Me, sir?” Lonnie winced at calling Guy ‘sir’ but it was a force of habit he picked up from his grandfather to give his elders the proper respect and Guy was clearly much older than him.

    “Are you afraid of the dark, Lonnie?”

    “Uh. Uhm…” Lonnie stammered, for some reason he felt unsure of how to answer.

    “Relax, son. I’m only kidding,” Guy said, patting Lonnie hard on the back to reassure him. “But seriously, if Tripp doesn’t come back, how do you feel about covering the night shift for a while? At least until we could find a replacement.”

    Lonnie wondered why Guy seemed so sure that Tripp wasn’t coming back, just from cutting himself. Then again, it seemed this injury caused a lot of blood loss and that might make anyone rethink coming back to work. Lonnie never got injured while at work. Not even at his night job working in the kitchen of an all night diner. And there he comes into contact with all kinds of sharp knives regularly as the washer.

    As he clocked in he thought about the extra money he could make working the night shift. Everyone knew, or at least, he’d heard, the shift to get if you wanted to make way more money was the night shift. And while Lonnie had been working there for six months he was only able to get the morning shift on the weekends. It already earned him more than twice as much as working five days a week at the diner.

    Lonnie looked at Guy and smiled as one man clocked out and the other clocked in. “Sure, man. I could handle the night shift. How hard can it be? I ain’t scared of the dark.”

    “Excellent,” Guy said, his grin making Lonnie feel a bit uneasy. “That’s what I like to hear. I’ll let corporate know. I’m sure we’ll be fast friends, Lonnie.”

    The control room door buzzed and clicked open and the morning cleaner burst in without a word to grab the small trash bin. Lonnie thought he caught a glimpse of a name badge inside but couldn’t be sure as the silent cleaner moved quickly and in an instant was gone. Guy gave one final pat on the back before he left as well, leaving Lonnie alone in the control room to watch the monitors as the mall started to come to life and start the weekend rush.

    From his chair, Lonnie leaned forward to take a closer look at one of the monitors that was showing the view of an escalator and some old antique shop that always seemed to give him the creeps. A fact he’ll never tell Guy, he thought to himself. In their display window he could barely make out a doll, rocking. It’s head seemingly looking up at the camera, at him? Then the monitor blinked and showed a different camera in a different part of the mall.

    THE END

  • I Go to Styles – Chapter 1

    The Mysterious Affair at Styles by Agatha Christie

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    The intense interest aroused in the public by what was known at the time as “The Styles Case” has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist.

    I will therefore briefly set down the circumstances which led to my being connected with the affair.

    I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month’s sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother’s place in Essex.

    We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.

    “The mater will be delighted to see you again—after all those years,” he added.

    “Your mother keeps well?” I asked.

    “Oh, yes. I suppose you know that she has married again?”

    I am afraid I showed my surprise rather plainly. Mrs. Cavendish, who had married John’s father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.

    Their country-place, Styles Court, had been purchased by Mr. Cavendish early in their married life. He had been completely under his wife’s ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their step-mother, however, had always been most generous to them; indeed, they were so young at the time of their father’s remarriage that they always thought of her as their own mother.

    Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.

    John practised for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs. Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.

    John noticed my surprise at the news of his mother’s remarriage and smiled rather ruefully.

    “Rotten little bounder too!” he said savagely. “I can tell you, Hastings, it’s making life jolly difficult for us. As for Evie—you remember Evie?”

    “No.”

    “Oh, I suppose she was after your time. She’s the mater’s factotum, companion, Jack of all trades! A great sport—old Evie! Not precisely young and beautiful, but as game as they make them.”

    “You were going to say——?”

    “Oh, this fellow! He turned up from nowhere, on the pretext of being a second cousin or something of Evie’s, though she didn’t seem particularly keen to acknowledge the relationship. The fellow is an absolute outsider, anyone can see that. He’s got a great black beard, and wears patent leather boots in all weathers! But the mater cottoned to him at once, took him on as secretary—you know how she’s always running a hundred societies?”

    I nodded.

    “Well, of course the war has turned the hundreds into thousands. No doubt the fellow was very useful to her. But you could have knocked us all down with a feather when, three months ago, she suddenly announced that she and Alfred were engaged! The fellow must be at least twenty years younger than she is! It’s simply bare-faced fortune hunting; but there you are—she is her own mistress, and she’s married him.”

    “It must be a difficult situation for you all.”

    “Difficult! It’s damnable!”

    Thus it came about that, three days later, I descended from the train at Styles St. Mary, an absurd little station, with no apparent reason for existence, perched up in the midst of green fields and country lanes. John Cavendish was waiting on the platform, and piloted me out to the car.

    “Got a drop or two of petrol still, you see,” he remarked. “Mainly owing to the mater’s activities.”

    The village of Styles St. Mary was situated about two miles from the little station, and Styles Court lay a mile the other side of it. It was a still, warm day in early July. As one looked out over the flat Essex country, lying so green and peaceful under the afternoon sun, it seemed almost impossible to believe that, not so very far away, a great war was running its appointed course. I felt I had suddenly strayed into another world. As we turned in at the lodge gates, John said:

    “I’m afraid you’ll find it very quiet down here, Hastings.”

    “My dear fellow, that’s just what I want.”

    “Oh, it’s pleasant enough if you want to lead the idle life. I drill with the volunteers twice a week, and lend a hand at the farms. My wife works regularly ‘on the land’. She is up at five every morning to milk, and keeps at it steadily until lunchtime. It’s a jolly good life taking it all round—if it weren’t for that fellow Alfred Inglethorp!” He checked the car suddenly, and glanced at his watch. “I wonder if we’ve time to pick up Cynthia. No, she’ll have started from the hospital by now.”

    “Cynthia! That’s not your wife?”

    “No, Cynthia is a protégée of my mother’s, the daughter of an old schoolfellow of hers, who married a rascally solicitor. He came a cropper, and the girl was left an orphan and penniless. My mother came to the rescue, and Cynthia has been with us nearly two years now. She works in the Red Cross Hospital at Tadminster, seven miles away.”

    As he spoke the last words, we drew up in front of the fine old house. A lady in a stout tweed skirt, who was bending over a flower bed, straightened herself at our approach.

    “Hullo, Evie, here’s our wounded hero! Mr. Hastings—Miss Howard.”

    Miss Howard shook hands with a hearty, almost painful, grip. I had an impression of very blue eyes in a sunburnt face. She was a pleasant-looking woman of about forty, with a deep voice, almost manly in its stentorian tones, and had a large sensible square body, with feet to match—these last encased in good thick boots. Her conversation, I soon found, was couched in the telegraphic style.

    “Weeds grow like house afire. Can’t keep even with ’em. Shall press you in. Better be careful.”

    “I’m sure I shall be only too delighted to make myself useful,” I responded.

    “Don’t say it. Never does. Wish you hadn’t later.”

    “You’re a cynic, Evie,” said John, laughing. “Where’s tea to-day—inside or out?”

    “Out. Too fine a day to be cooped up in the house.”

    “Come on then, you’ve done enough gardening for to-day. ‘The labourer is worthy of his hire’, you know. Come and be refreshed.”

    “Well,” said Miss Howard, drawing off her gardening gloves, “I’m inclined to agree with you.”

    She led the way round the house to where tea was spread under the shade of a large sycamore.

    A figure rose from one of the basket chairs, and came a few steps to meet us.

    “My wife, Hastings,” said John.

    I shall never forget my first sight of Mary Cavendish. Her tall, slender form, outlined against the bright light; the vivid sense of slumbering fire that seemed to find expression only in those wonderful tawny eyes of hers, remarkable eyes, different from any other woman’s that I have ever known; the intense power of stillness she possessed, which nevertheless conveyed the impression of a wild untamed spirit in an exquisitely civilised body—all these things are burnt into my memory. I shall never forget them.

    She greeted me with a few words of pleasant welcome in a low clear voice, and I sank into a basket chair feeling distinctly glad that I had accepted John’s invitation. Mrs. Cavendish gave me some tea, and her few quiet remarks heightened my first impression of her as a thoroughly fascinating woman. An appreciative listener is always stimulating, and I described, in a humorous manner, certain incidents of my Convalescent Home, in a way which, I flatter myself, greatly amused my hostess. John, of course, good fellow though he is, could hardly be called a brilliant conversationalist.

    At that moment a well remembered voice floated through the open French window near at hand:

    “Then you’ll write to the Princess after tea, Alfred? I’ll write to Lady Tadminster for the second day, myself. Or shall we wait until we hear from the Princess? In case of a refusal, Lady Tadminster might open it the first day, and Mrs. Crosbie the second. Then there’s the Duchess—about the school fête.”

    There was the murmur of a man’s voice, and then Mrs. Inglethorp’s rose in reply:

    “Yes, certainly. After tea will do quite well. You are so thoughtful, Alfred dear.”

    The French window swung open a little wider, and a handsome white-haired old lady, with a somewhat masterful cast of features, stepped out of it on to the lawn. A man followed her, a suggestion of deference in his manner.

    Mrs. Inglethorp greeted me with effusion.

    “Why, if it isn’t too delightful to see you again, Mr. Hastings, after all these years. Alfred, darling, Mr. Hastings—my husband.”

    I looked with some curiosity at “Alfred darling”. He certainly struck a rather alien note. I did not wonder at John objecting to his beard. It was one of the longest and blackest I have ever seen. He wore gold-rimmed pince-nez, and had a curious impassivity of feature. It struck me that he might look natural on a stage, but was strangely out of place in real life. His voice was rather deep and unctuous. He placed a wooden hand in mine and said:

    “This is a pleasure, Mr. Hastings.” Then, turning to his wife: “Emily dearest, I think that cushion is a little damp.”

    She beamed fondly on him, as he substituted another with every demonstration of the tenderest care. Strange infatuation of an otherwise sensible woman!

    With the presence of Mr. Inglethorp, a sense of constraint and veiled hostility seemed to settle down upon the company. Miss Howard, in particular, took no pains to conceal her feelings. Mrs. Inglethorp, however, seemed to notice nothing unusual. Her volubility, which I remembered of old, had lost nothing in the intervening years, and she poured out a steady flood of conversation, mainly on the subject of the forthcoming bazaar which she was organizing and which was to take place shortly. Occasionally she referred to her husband over a question of days or dates. His watchful and attentive manner never varied. From the very first I took a firm and rooted dislike to him, and I flatter myself that my first judgments are usually fairly shrewd.

    Presently Mrs. Inglethorp turned to give some instructions about letters to Evelyn Howard, and her husband addressed me in his painstaking voice:

    “Is soldiering your regular profession, Mr. Hastings?”

    “No, before the war I was in Lloyd’s.”

    “And you will return there after it is over?”

    “Perhaps. Either that or a fresh start altogether.”

    Mary Cavendish leant forward.

    “What would you really choose as a profession, if you could just consult your inclination?”

    “Well, that depends.”

    “No secret hobby?” she asked. “Tell me—you’re drawn to something? Everyone is—usually something absurd.”

    “You’ll laugh at me.”

    She smiled.

    “Perhaps.”

    “Well, I’ve always had a secret hankering to be a detective!”

    “The real thing—Scotland Yard? Or Sherlock Holmes?”

    “Oh, Sherlock Holmes by all means. But really, seriously, I am awfully drawn to it. I came across a man in Belgium once, a very famous detective, and he quite inflamed me. He was a marvellous little fellow. He used to say that all good detective work was a mere matter of method. My system is based on his—though of course I have progressed rather further. He was a funny little man, a great dandy, but wonderfully clever.”

    “Like a good detective story myself,” remarked Miss Howard. “Lots of nonsense written, though. Criminal discovered in last chapter. Everyone dumbfounded. Real crime—you’d know at once.”

    “There have been a great number of undiscovered crimes,” I argued.

    “Don’t mean the police, but the people that are right in it. The family. You couldn’t really hoodwink them. They’d know.”

    “Then,” I said, much amused, “you think that if you were mixed up in a crime, say a murder, you’d be able to spot the murderer right off?”

    “Of course I should. Mightn’t be able to prove it to a pack of lawyers. But I’m certain I’d know. I’d feel it in my fingertips if he came near me.”

    “It might be a ‘she’,” I suggested.

    “Might. But murder’s a violent crime. Associate it more with a man.”

    “Not in a case of poisoning.” Mrs. Cavendish’s clear voice startled me. “Dr. Bauerstein was saying yesterday that, owing to the general ignorance of the more uncommon poisons among the medical profession, there were probably countless cases of poisoning quite unsuspected.”

    “Why, Mary, what a gruesome conversation!” cried Mrs. Inglethorp. “It makes me feel as if a goose were walking over my grave. Oh, there’s Cynthia!”

    A young girl in V.A.D. uniform ran lightly across the lawn.

    “Why, Cynthia, you are late to-day. This is Mr. Hastings—Miss Murdoch.”

    Cynthia Murdoch was a fresh-looking young creature, full of life and vigour. She tossed off her little V.A.D. cap, and I admired the great loose waves of her auburn hair, and the smallness and whiteness of the hand she held out to claim her tea. With dark eyes and eyelashes she would have been a beauty.

    She flung herself down on the ground beside John, and as I handed her a plate of sandwiches she smiled up at me.

    “Sit down here on the grass, do. It’s ever so much nicer.”

    I dropped down obediently.

    “You work at Tadminster, don’t you, Miss Murdoch?”

    She nodded.

    “For my sins.”

    “Do they bully you, then?” I asked, smiling.

    “I should like to see them!” cried Cynthia with dignity.

    “I have got a cousin who is nursing,” I remarked. “And she is terrified of ‘Sisters’.”

    “I don’t wonder. Sisters are, you know, Mr. Hastings. They simp-ly are! You’ve no idea! But I’m not a nurse, thank heaven, I work in the dispensary.”

    “How many people do you poison?” I asked, smiling.

    Cynthia smiled too.

    “Oh, hundreds!” she said.

    “Cynthia,” called Mrs. Inglethorp, “do you think you could write a few notes for me?”

    “Certainly, Aunt Emily.”

    She jumped up promptly, and something in her manner reminded me that her position was a dependent one, and that Mrs. Inglethorp, kind as she might be in the main, did not allow her to forget it.

    My hostess turned to me.

    “John will show you your room. Supper is at half-past seven. We have given up late dinner for some time now. Lady Tadminster, our Member’s wife—she was the late Lord Abbotsbury’s daughter—does the same. She agrees with me that one must set an example of economy. We are quite a war household; nothing is wasted here—every scrap of waste paper, even, is saved and sent away in sacks.”

    I expressed my appreciation, and John took me into the house and up the broad staircase, which forked right and left half-way to different wings of the building. My room was in the left wing, and looked out over the park.

    John left me, and a few minutes later I saw him from my window walking slowly across the grass arm in arm with Cynthia Murdoch. I heard Mrs. Inglethorp call “Cynthia” impatiently, and the girl started and ran back to the house. At the same moment, a man stepped out from the shadow of a tree and walked slowly in the same direction. He looked about forty, very dark with a melancholy clean-shaven face. Some violent emotion seemed to be mastering him. He looked up at my window as he passed, and I recognized him, though he had changed much in the fifteen years that had elapsed since we last met. It was John’s younger brother, Lawrence Cavendish. I wondered what it was that had brought that singular expression to his face.

    Then I dismissed him from my mind, and returned to the contemplation of my own affairs.

    The evening passed pleasantly enough; and I dreamed that night of that enigmatical woman, Mary Cavendish.

    The next morning dawned bright and sunny, and I was full of the anticipation of a delightful visit.

    I did not see Mrs. Cavendish until lunch-time, when she volunteered to take me for a walk, and we spent a charming afternoon roaming in the woods, returning to the house about five.

    As we entered the large hall, John beckoned us both into the smoking-room. I saw at once by his face that something disturbing had occurred. We followed him in, and he shut the door after us.

    “Look here, Mary, there’s the deuce of a mess. Evie’s had a row with Alfred Inglethorp, and she’s off.”

    “Evie? Off?”

    John nodded gloomily.

    “Yes; you see she went to the mater, and—Oh,—here’s Evie herself.”

    Miss Howard entered. Her lips were set grimly together, and she carried a small suit-case. She looked excited and determined, and slightly on the defensive.

    “At any rate,” she burst out, “I’ve spoken my mind!”

    “My dear Evelyn,” cried Mrs. Cavendish, “this can’t be true!”

    Miss Howard nodded grimly.

    “True enough! Afraid I said some things to Emily she won’t forget or forgive in a hurry. Don’t mind if they’ve only sunk in a bit. Probably water off a duck’s back, though. I said right out: ‘You’re an old woman, Emily, and there’s no fool like an old fool. The man’s twenty years younger than you, and don’t you fool yourself as to what he married you for. Money! Well, don’t let him have too much of it. Farmer Raikes has got a very pretty young wife. Just ask your Alfred how much time he spends over there.’ She was very angry. Natural! I went on, ‘I’m going to warn you, whether you like it or not. That man would as soon murder you in your bed as look at you. He’s a bad lot. You can say what you like to me, but remember what I’ve told you. He’s a bad lot!’”

    “What did she say?”

    Miss Howard made an extremely expressive grimace.

    “‘Darling Alfred’—‘dearest Alfred’—‘wicked calumnies’ —‘wicked lies’—‘wicked woman’—to accuse her ‘dear husband!’ The sooner I left her house the better. So I’m off.”

    “But not now?”

    “This minute!”

    For a moment we sat and stared at her. Finally John Cavendish, finding his persuasions of no avail, went off to look up the trains. His wife followed him, murmuring something about persuading Mrs. Inglethorp to think better of it.

    As she left the room, Miss Howard’s face changed. She leant towards me eagerly.

    “Mr. Hastings, you’re honest. I can trust you?”

    I was a little startled. She laid her hand on my arm, and sank her voice to a whisper.

    “Look after her, Mr. Hastings. My poor Emily. They’re a lot of sharks—all of them. Oh, I know what I’m talking about. There isn’t one of them that’s not hard up and trying to get money out of her. I’ve protected her as much as I could. Now I’m out of the way, they’ll impose upon her.”

    “Of course, Miss Howard,” I said, “I’ll do everything I can, but I’m sure you’re excited and overwrought.”

    She interrupted me by slowly shaking her forefinger.

    “Young man, trust me. I’ve lived in the world rather longer than you have. All I ask you is to keep your eyes open. You’ll see what I mean.”

    The throb of the motor came through the open window, and Miss Howard rose and moved to the door. John’s voice sounded outside. With her hand on the handle, she turned her head over her shoulder, and beckoned to me.

    “Above all, Mr. Hastings, watch that devil—her husband!”

    There was no time for more. Miss Howard was swallowed up in an eager chorus of protests and good-byes. The Inglethorps did not appear.

    As the motor drove away, Mrs. Cavendish suddenly detached herself from the group, and moved across the drive to the lawn to meet a tall bearded man who had been evidently making for the house. The colour rose in her cheeks as she held out her hand to him.

    “Who is that?” I asked sharply, for instinctively I distrusted the man.

    “That’s Dr. Bauerstein,” said John shortly.

    “And who is Dr. Bauerstein?”

    “He’s staying in the village doing a rest cure, after a bad nervous breakdown. He’s a London specialist; a very clever man—one of the greatest living experts on poisons, I believe.”

    “And he’s a great friend of Mary’s,” put in Cynthia, the irrepressible.

    John Cavendish frowned and changed the subject.

    “Come for a stroll, Hastings. This has been a most rotten business. She always had a rough tongue, but there is no stauncher friend in England than Evelyn Howard.”

    He took the path through the plantation, and we walked down to the village through the woods which bordered one side of the estate.

    As we passed through one of the gates on our way home again, a pretty young woman of gipsy type coming in the opposite direction bowed and smiled.

    “That’s a pretty girl,” I remarked appreciatively.

    John’s face hardened.

    “That is Mrs. Raikes.”

    “The one that Miss Howard——”

    “Exactly,” said John, with rather unnecessary abruptness.

    I thought of the white-haired old lady in the big house, and that vivid wicked little face that had just smiled into ours, and a vague chill of foreboding crept over me. I brushed it aside.

    “Styles is really a glorious old place,” I said to John.

    He nodded rather gloomily.

    “Yes, it’s a fine property. It’ll be mine some day—should be mine now by rights, if my father had only made a decent will. And then I shouldn’t be so damned hard up as I am now.”

    “Hard up, are you?”

    “My dear Hastings, I don’t mind telling you that I’m at my wits’ end for money.”

    “Couldn’t your brother help you?”

    “Lawrence? He’s gone through every penny he ever had, publishing rotten verses in fancy bindings. No, we’re an impecunious lot. My mother’s always been awfully good to us, I must say. That is, up to now. Since her marriage, of course——” he broke off, frowning.

    For the first time I felt that, with Evelyn Howard, something indefinable had gone from the atmosphere. Her presence had spelt security. Now that security was removed—and the air seemed rife with suspicion. The sinister face of Dr. Bauerstein recurred to me unpleasantly. A vague suspicion of everyone and everything filled my mind. Just for a moment I had a premonition of approaching evil.

    What do you think about what you’ve just read? Share your thoughts in the comments by clicking the button below!

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  • The Moving Rock | A 100 Word Story

    #339 National Poetry Month – 30 Days 30 Poems

    The rock was nestled in the sand.
    Placed there in a time before man.
    It was its home for centuries on
    Watching life and nearly gone.

    With the storm clouds rolling in
    Another layer of life comes to an end.
    The rock comes loose from the sand,
    And moves as if by God’s hand.

    Lightning sparks the pitch black sky,
    Then the heavens start to cry.
    The rock continues ‘cross the shore,
    A last chance for something more.

    A rock that once was stuck on land,
    Leaves behind its endless plans,
    For an uncertain world,
    In the waters of old.

    Learn more about National Poetry Month HERE.

  • #Pentober52 – XIV of LII

    Are you up for the weekly challenge?

    In 2024 let’s broaden our horizons with a weekly writing challenge that calls upon us all to write a story using the prompts below. Just a few guidelines otherwise it wouldn’t be a real challenge now would it:

    • More than 100 words but less than 200 words.

    • Must use the WORD of the WEEK in your story.

    • Must use at least 2 of the 3 prompts provided (person / place / thing).

    • OPTIONAL: Must use pen/pencil and paper!

    Let’s become one with our scribbling handwriting and tell a great story!


    WORD OF THE WEEK

    PERSON | PLACE | THING


    Once you have a story, copy/paste it in the comments! I can’t wait to read what you come up with.

    BONUS

    If you want an added challenge, write a story using the WotW, all 3 prompts, PLUS is exactly 200 words in length.

  • Rear Window With a Different View

    A kernel of an idea…

    In my late twenties I lived in a 6-story walk-up 1-bedroom apartment. What made it unique wasn’t the lack of an elevator, though it was murder doing laundry and hauling up a full week’s worth of groceries, let me tell you! No, what made it a place I’ll never forget is the set-up.

    Three buildings; A, B, and C. Each of them together created a sort of square, like my little diagram below shows:

    I actually went to Google Maps and got this screenshot of what the front of the building looks like. I didn’t remember that it was actually more round on the facade. Anyway, what I loved about living there, besides the fact that it was straight out of a Hitchcock movie, was the sounds. At any given moment I could open my window and hear the many different sounds coming from peoples apartments. Kitchen pans, children playing, adults talking, most of them in Spanish. Then there was the opera singers. They really were the highlight of the time I spent there. On the weekends they would play a record and then sing along to it. I wish I had recorded it because they were amazing. I never met them and I couldn’t tell you which apartment was theirs. I just know that it was a man and woman and their voices filled the air. I assume they were rehearsing and singing operatic music was their job and I basically got to hear some great songs for free from my apartment window.

    Why am I sharing all this from my past? Well, bringing it all back to the movie Rear Window, (have you seen that movie by the way? If you haven’t, I suggest you watch it because it’s really good) I’ve been thinking a lot about this movie. More importantly about the point-of-view the movie gives us.

    A brief background, the movie is based on Cornell Woolrich’s 1942 short story “It Had to Be Murder.” The premise being, when a famed action photographer hurts his leg while on the job is forced to stay at home to recuperate, he witnesses what can only be seen as murder by a neighbor in the apartment building opposite him. Along the way he convinces his devilishly attractive femme fatale girlfriend and physical therapist that the man he’s been spying on has indeed murdered his wife. Of course, he spends most of his day spying on all of his neighbors but the murderer is what’s important to the story.

    And for some reason it got me wondering what the story would be like if we were to view it from the point of view of the murderer? Lars Thorwald would be quite an interesting character to dissect. For instance, where should that story begin? There are a lot of assumptions that must be made by us, the viewer, as well as Jefferies (the main character) when coming up with a reason for why Lars felt the need to commit murder on his own wife. Sure, we see one scene where the wife is clearly berating her husband. Something she probably did often enough to him and he likely was sick of it. We also suppose he has a mistress who colludes with him to get the wife out of the way.

    But to tell the story from the point of view of Lars, I wonder if going back to right before his wife ended up bed-ridden. What was the reason for it? In the movie Jefferies makes a passive statement about how she all of a sudden got sick and spent most of her days in bed complaining to her husband all the time. Is it possible that Lars was poisoning his wife but realized this method was simply taking too damn long?

    Then there’s being in the room when it happens. And by “it” I do mean the murder and eventual dismembering of the body. I still chuckle at the infamous lines near the end of the movie, after we find out that Lars is confessing to everything and the nurse is tending to Jefferies after he just fell out his own window (breaking his other leg by the way), an officer shouts down that the body parts are scattered all over like she supposed. And the head? In a hat box in the apartment. The smug detective and friend to Jefferies who refused to believe his crazy story that the neighbor killed his wife, asks the nurse if she’d like to see it. The hat box. And she says, “No thanks, I don’t want any part of it.” Get it? Yeah, well, I guess you need to have seen the movie…

    All this leads me to my May curio fiction story. It’s still a bit rough around the edges but, picture this, a recently retired blue collar worker now spends most days as nurse-maid to his sickly wife who nags him incessantly. While out grocery shopping he bumps into a really pretty woman (maybe younger?) who sympathizes with him over coffee and pretty soon they fall in love. But he can’t run off with her, he’s got his wife to think about! Or does he? The idea to commit murder comes up (I wonder who initially mentions it?) and though their plan seems foolproof they don’t realize a nosey neighbor across the way may have just witnessed the whole thing. Now, I realize it’s nearly on the nose to the original which is why I want to do a few more major tweaks to the story. For instance, what if the whole idea to kill his wife is just a ruse being played on the woman he meets to con her out of money and they do this sort of thing, he and his wife, all the time? It’s a bit weebly-wobbly but you get where I’m going with this.

    The main idea is the entire story must be seen through the eyes of the murderer and because I want to include it in my curio fiction collection of short stories, it needs to incorporate a typewriter in some way as well.

    What story have you read/watched recently that you think could be interesting if told from a different characters POV?

  • Night Fight | A 100 Word Story

    #338 National Poetry Month – 30 Days 30 Poems

    When the men went walking through the night
    They gathered all their weapons
    All of them prepared to fight

    Pitchforks, bats, chains, and knives
    Were they all prepared to die?
    None of them had told their wives

    And when the rain began to fall
    The clouds grew black
    The spiders gathered on the wall

    To watch the battle about to unfold
    Between the men and beasts in kind
    The former most naive and bold

    They raised their weapons in the air
    A crack of lightning—broken silence
    There was little here to fear

    Blood was shed
    But who was dead?

    Learn more about National Poetry Month HERE.

  • The Night Shift – Part 3

    An Anatomy of Typewriters Story / 2,150 words / 9min Read Time

    This is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents in this story are either the product of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

    The content below was originally paywalled.

    To say I continued my cursing tirade would be an understatement. When the flashlight hit the floor it fluttered a bit then went out. This wasn’t the first time I’d dropped it clumsily and I’d been meaning to replace it as it’s been known to stop working if knocked about. I pulled my phone out and turned on its flashlight to help me find what I was looking for, completely forgetting why I dropped it in the first place.

    “There you are,” I said, getting down on one knee and reaching under the counter where I could see the long end of the flashlight sticking out. “Ouch.” I pulled my hand out quickly, clutching the flashlight in my hand. I shine my phone light over it to see a thin, long, slash on my side of my right hand, blood is slowly trickling from it. “God, damn it!” I turn off my phone’s flashlight and put it back in my pocket, then retrieve my large black handkerchief that I keep in case of a sneezing emergency, or there’s something gross I don’t want to touch with my bare hands. Using my teeth, I manage to tie it around my hand, blood already beginning to seep through.

    I know I need to get it looked at right away and can’t leave it for too long. At least I’ll have an excuse to leave work early tonight. I turn the flashlight back on to light my way to the entrance of the shop when the familiar sound of tapping on keys starts up again.

    With as much speed as I can muster I rush to the back room where the desk, chair and typewriter are all exactly where I remember them last time I was back here. Except, the chair starts to turn slowly. My light shining on it tells me there’s no one sitting in the chair controlling it. The chair stops turning just enough for me to see the little girl doll, smiling at me. I can’t see if she’s holding anything in her hands. Her head spins in place from facing me back towards the typewriter.

    To prove to myself I’m not afraid of some porcelain doll, I walk up to the typewriter and shine the light on the paper sticking out of it:

    YOU MUSTN’T LEAVE ME. I AM FRIGHTENED. PLEASE SAVE ME.

    I feel something cold and hard graze my bandaged hand. I step back from the desk and look down at the doll, her stiff arm is extended. I turn around on my heels and make for the exit. A sign illuminated over the door guides my way. Once outside I fumble with my large keyring to find the master key that can open and lock all the stores in the mall. I quickly lock the shop and breath a sigh of relief. This place was giving me the creeps and I needed to leave.

    I make my way back to the control room to gather my things and call my relief in case I need to leave work at any time during my shift. In all the time I’ve been here I never had to call in a relief worker before. But looking at my bandage and all the blood that’s already soaked into it, I knew it would be a bad idea for me to wait till the end of my shift which wasn’t for another eight hours.

    “What?” The voice on the other line was gruff and grumpy. I expected it. No one would appreciate being woken up in the middle of the night, especially if it’s to report in to work a night shift at a mall.

    “Hey, is this…” I forgot his name already and rushed over to the calendar on the wall that listed all of our names and phone numbers as well as who our relief call should be. “…Aaron?”

    “Yeah, who the fuck’s asking?” I was about to match his tone but I really needed him to come into work and if he refused, which he can do a certain number of times a year, then I’d have to call Guy to come back in and work a double. I really didn’t want to call Guy. I knew he’d make a big deal out of it and I’d never hear the end of it.

    “It’s Tripp over at Sheffield Mall. So, I cut my hand pretty bad and it looks like I’m gonna need to go to emergency, like, right now…”

    I could hear Aaron grunting and fumbling as I imagined he was turning in bed to hopefully sit up.

    “Who’s that?” A female voice asked.

    “Some prick at work, baby. Go back to sleep,” Aaron said, not doing a good job, if any, of covering the phone when he said that to his lady friend. “Listen, you’re SOL tonight buddy, cause I’m not in town and even if I was, I’m not coming in so you can get off work over some fucking paper cut bullshit.” He hung up before I could say anything back. I didn’t blame him. If it were me, I might think the same thing about someone calling me to come in because they cut their hand.

    By now I have blood dripping down my arm and I look on the calendar for Guy’s number. I sigh deeply and dial.

    “This is Guy,” he shouted into the phone, picking up on the first ring. It sounded like he was a club? Which seemed odd to me cause I never thought of Guy as the club going type.

    “Hey, Guy, it’s Tripp. You think you could come back? I cut my hand pretty bad in Ander’s Shop and—”

    “I’ll be right there,” Guy said and hung up, leaving me in silence. I thought I would need to do more convincing but I didn’t and while I was relieved I also was apprehensive about what Guy would say when he got here.

    I sat down in the office chair and held my hand up over my head to try and stop the bleeding while I waited. I wasn’t sure how long it would take Guy to get here, especially if he was at some club. 

    The CCTV screens cycled through each camera as usual and the screen I used to watch a show while I ate my dinner was no longer playing anything. While I tried to decide what to watch in the meantime a light over the LOADING DOCK camera started flashing. It only did that when the loading dock door was opening to let a truck in. I checked the clipboard beside the door where all the delivery dates and times for future shipments were kept. The last one happened during Guy’s shift and the next one wasn’t scheduled until an hour after my shift ended. This was normal. The mall never had shipments in the middle of the night.

    From the camera I could see the shadow of the loading dock door slowly opening. “Fuck me,” I said as I grabbed my flashlight again and headed for the loading dock. 

    While it wasn’t a place I needed to visit often, I knew how to get to it without a map because it’s where the cleanest and nicest bathrooms were to use during my shift and some nights I find myself taking a smoke break after I take a piss, using the door beside the loading dock truck entrance.

    I stopped short before walking down the long corridor because all the lights were on. They definitely shouldn’t be. I turn off my flashlight but keep it in my hand to use as a weapon if necessary. It’s certainly long enough and heavy enough where it could cause some real damage if I were to swing it at someone’s head.

    I walk slowly down the corridor, my keys making their usual jingle-jangle sounds with every step I take. I feel a breeze coming down the long hallway, telling me the loading dock door is definitely open. But I don’t hear the sound of a truck engine or any sign of life at all when I round the corner. The door is open but there’s nothing there. I start to walk down the stairs to the ground level, gripping the railing with my bad hand, streaks of my blood left behind.

    “Don’t leave me.” The voice comes over the loudspeaker and makes me fall back to a seated position on the stairs. It was a little girl’s voice. “He’ll get me if you leave.”

    I look up towards the loudspeaker. “What are you doing? I told you never—” It was definitely a man’s voice. Then the speaker cut off. I pulled myself up using my bad hand and winced, the pain was getting worse and this time moving up my arm towards my shoulder.

    Before I leave the docks I push a large red button on the wall beside the open door that is a manual way to close the door. I wait the few minutes it takes to make sure the door closes completely. When it does all the lights in the corridor go out. I pull out my flashlight and start to make my way back to the main office. 

    “I do apologize for my daughter. She…doesn’t realize her circumstance the way you and I do. Is that right, Tripp?”

    Things were starting to get dizzy around me and I swear I hear loud music, like the person talking to me through the loudspeaker is at a club? I shake my head and try to focus my eyes. I just need to get back to the control room and wait for Guy, who’s on his way.

    “Are you hurt? Has my little girl hurt you? Don’t worry. She’ll be punished accordingly. I do hope we can still be friends after all this.”

    The voice sounds familiar to me. Like I’ve heard it before but I can’t quite place it. At the end of the corridor where the bathrooms are I decide to go inside, pushing the door open with my bloodied hand, leaving a sloppy print behind me as the door swings back and forth.

    I splash cold water on my face and look at myself in the mirror. I see multiples of me, bouncing in and around me. I close my eyes tightly. “Stop it, Tripp. You’re just psyching yourself out. None of this is real. None of this is happening. SNAP OUT OF IT!”

    Then I open my eyes to see Guy standing beside my in the mirror.

    “Hey there, Tripp,” he says, smiling like nothing’s going on. I step away from him, holding my hands up to protect myself. Though I’m not sure why I feel like I need to protect myself against Guy. “You don’t look too good, buddy. Here, let me help you.”

    I can feel his arms wrap around my shoulders, holding me tightly as he guides me to walk. My head bobbles back and forth, my vision going in and out as well as my hearing. I think I look over at him at one point and smile, happy to see him. Now he can deal with whatever is going on and I can go home and sleep. Wait! No! I need to go to the hospital. I’m sure I lost too much blood at this point.

    “Sit yourself down here. I’ll be right back,” he says, the voice from the loudspeaker. Or is that Guy’s voice in my ear?

    I try to focus my eyes and look around. I expected to see the CCTV’s but instead I see a cuckoo clock on one wall with an owl perched on top of it. The owl looks like it’s going to attack me! I let my head fall to one side and see a typewriter on a desk. The typewriter! I must be in Ander’s Shop. But how did I get here? I don’t remember. I can’t…remember…

    “I want you to meet my daughter, Tripp. I’ve been meaning to introduce you two for a while now. It’s been a long time since she’s made friends with the night shift guard, isn’t that right, dear? I guess she’s picky about who she wants to be friends with. Afraid I might disapprove or something.”

    The chair I’m sitting in is turned so I can see who’s talking to me. Though I know exactly who it is. It’s the same voice I heard when I started my shift earlier. The voice from the loudspeaker. The voice I thought would come and rescue me or at least tell me what was happening was all in my head.

    Guy is standing in front of me, carefully holding the girl doll in his hand. The girl doll looks frightened. I see a tear roll down her cheek before I black out.

  • A Blue Suit | A 100 Word Story

    #337 National Poetry Month – 30 Days 30 Poems

    The gentleman wore a blue suit,
    When he walked into the lake.
    With a gun prepared to shoot,
    He knew what it would take.

    The lake was only waist high,
    But there was no place left to run.
    Here is where he’s meant to die,
    In that moment he dropped the gun.

    And cried into the lake of tears,
    For all the time he wasted.
    And the many grueling years,
    When he felt hated.

    Now he’ll get his own back,
    And teach them all a valuable lesson.
    Of the kindness that they lack,
    Before he sends them straight to heaven.

    Learn more about National Poetry Month HERE.

  • Welcome to the Club, Murderers…

    Rule #1 Kill or be killed!

    True confession: I have always wanted to be in a club like this. But rather than wait to find one or for one to find me I thought I’d set out to create it myself. Even if it is just a club with one member, myself, it will be worth it!

    Our goal is always to kill’em with great stories of mystery and suspense. Were they to be alive today I would hope the likes of Alfred Hitchcock and Agatha Christie would not only be members but would serve as co-presidents! Hopefully, that will help you to understand the kind of club this will be and already is.

    For starters, we are all writers, or at least, readers of a specific genre of story; mystery and thriller.

    It’s no all about blood and gore and violence. It takes much more skill and deference to details in order to weave a tale that will keep the reader guessing till the last sentence. I, myself, do not possess such a skill but with your help and through the books we’ll read and analyze along the way, I’m sure we’ll improve exponentially.

    I’ll kick things off my recommending a book for us all to read. I’ll try to make sure the books are free in the public domain and therefore easy to find, but in the future I want us to expand to newer material. Perhaps short stories as well and not just novels.

    Whenever possible I’ll host Watch Party’s for movies that we can watch together within the genres we are talking about. The Alfred Hitchcock Hour comes to mind as a possibility as well as other things.

    But first, before I get all carried away, I want to thank you for opting-in to receive these emails. If you can introduce yourself in the comments and let us know a little bit about yourself, what you enjoy about murder, and what you hope to learn/do while a member of the club?

    I’ll check periodically for new members and when I see a considerable number of newbies I will send another welcome email similar to this one. If you know of anyone who would enjoy to be a member of such a club (writer or reader) please do pass this email along to them and they can sign-up below:

    Just remind them to OPT-IN to The Murder Pen Club or they won’t get any of these secret emails!

    THE ASSIGNMENT

    In the meantime, we will be starting by reading The Mysterious Affair at Styles. As murders go, it’s a doozy. Written by the Queen of Mystery herself, Dame Agatha Christie, it’s reported as being her first novel featuring the famed detective Hercule Poirot. It’s a great way to start us off in this club and I look forward to conversing with you on the reading every Thursday.

    Mark your calendars for June 28th when we’ll have a Watch Party to see The Mysterious Affair at Styles together! Starring David Suchet as Hercule Poirot.