Anatomy of Typewriters Story / 1,399 words / 6min Read Time
This is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents in this story are either the product of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
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An old station wagon pulls into view on the CCTV in the control room and a young man exits on the passenger side, hoody up to shield him from the pouring rain, he runs around the car towards the side entrance. He stops. The driver side window rolls down and a woman sticks her head out, shouting to him. He turns and hesitates but walks towards the car eventually, bends low, and kisses the driver on the cheek before hurrying inside the mall. The driver sticks her head out the window, a mop of wet grey hair blowing in the wind, and spits at the ground, then pulls her head back inside the car and pulls out, leaving her window rolled down.
The young man wipes his boots on the mat just inside the heavy metal door and starts to unzip his jacket. His boots echo in the corridor accompanied by the grumble of his stomach. He preferred the morning shift because it meant he could buy breakfast at one of the many options in the mall food court and didnât have to suffer through his grandmotherâs lack of cooking skills.
He reached the control room and knocked like he does every week night, expecting Tripp to be there to let him in. But this morning there was no one. He looked through the long, thin, rectangular window next to the door handle that stretched the height of the door and saw the office was empty. He punched in the four digit code on the door handle and pulled it open when he heard the buzz and click.
Taped on one of the CCTV monitors was a typed note:
âLoading dock.â
That was all it said. The monitor the note covered happened to be for the loading dock and the man squinted to try and make out if who he saw bent low with gloves and a bucket and mop on the screen was Tripp.
Unable to make out who it was, he made his way down to the loading dock. It was frowned upon to have overlapping time cards so he couldnât clock in until Tripp clocked out. He needed every penny this job was paying him so he could move out of his grandmotherâs tiny cramped two bedroom house. He only agreed to move in temporarily when grandpa died, with no other siblings and his own parentâs gone, she needed him to help out around the house.
The way he saw it he had two options: Wait for her to join his grandpa, who died of natural causes in his sleep, or work two jobs so he could afford a home aid to help his grandmother and he could finally move out. It was coming onto a year of living under her roof and it didnât take him long to understand why his mother moved out when she turned sixteen. How his grandpa lasted as long as he did living with her, he couldnât figure out. Maybe he really did love the woman.
At the start of the long corridor towards the loading dock he smelled the bleach first, it was strong and it made his eyes squint. It was only six in the morning and the cleaners werenât due in for another hour.
âHey, Tripp, that you? Man, are you cleaning down here? Itâs six, man. Time to hit theââ He stopped talking when he got to the end of the corridor and rounded the corner, surprised to see Guy standing there, yellow gloves on both hands, a mop in one hand, sitting in a bucket of sudsy water, and a large sponge in the other, that was once yellow but was now clearly pinkish red.
âYou must be the new guy, right? Remind me what your name is again?â Guy let go of the mop and dropped the sponge in the bucket so he could take the gloves off and extended one hand to shake.
Not making eye contact with Guy but instead surveying the area around them that had been recently mopped down heavily with bleach, he extended a hand and said, âYeah, Iâm Lonnie. But Iâm not new. I mean, I started here six months ago so I donât feel like the new guy anymore. You must beâŚAaron?â
He met Tripp before, every morning in fact, and he knew that Aaron was the relief should Tripp ever need to leave early, from studying the calendar on the wall inside the control room.
âOh, no, Iâm Guy. Seems Tripp had an emergency and Aaron just wasnât as obliging,â Guy said, a big grin on his face. âCut his hand and left blood everywhere on his way out. Crazy night, but now that youâre here I guess Iâll leave the rest for the cleaners. Iâm sure you want to clock in.â
Guy put his arm around Lonnieâs shoulder and directed him back around the corner and back down the corridor. âMan, musta been a lot of blood,â Lonnie said, observing just how much mopping and scrubbing of the walls Guy had done.Â
âYeah, I told him to take a couple weeks off to heal. Between you and me, I donât think heâll be coming back. Some guys just canât hack the night shift. They get a wild imagination. Scared of what happens in the dark,â Guy said, making his voice low and almost like a whisper to sound spookier. âHow about you, Lonnie?
âMe, sir?â Lonnie winced at calling Guy âsirâ but it was a force of habit he picked up from his grandfather to give his elders the proper respect and Guy was clearly much older than him.
âAre you afraid of the dark, Lonnie?â
âUh. UhmâŚâ Lonnie stammered, for some reason he felt unsure of how to answer.
âRelax, son. Iâm only kidding,â Guy said, patting Lonnie hard on the back to reassure him. âBut seriously, if Tripp doesnât come back, how do you feel about covering the night shift for a while? At least until we could find a replacement.â
Lonnie wondered why Guy seemed so sure that Tripp wasnât coming back, just from cutting himself. Then again, it seemed this injury caused a lot of blood loss and that might make anyone rethink coming back to work. Lonnie never got injured while at work. Not even at his night job working in the kitchen of an all night diner. And there he comes into contact with all kinds of sharp knives regularly as the washer.
As he clocked in he thought about the extra money he could make working the night shift. Everyone knew, or at least, heâd heard, the shift to get if you wanted to make way more money was the night shift. And while Lonnie had been working there for six months he was only able to get the morning shift on the weekends. It already earned him more than twice as much as working five days a week at the diner.
Lonnie looked at Guy and smiled as one man clocked out and the other clocked in. âSure, man. I could handle the night shift. How hard can it be? I ainât scared of the dark.â
âExcellent,â Guy said, his grin making Lonnie feel a bit uneasy. âThatâs what I like to hear. Iâll let corporate know. Iâm sure weâll be fast friends, Lonnie.â
The control room door buzzed and clicked open and the morning cleaner burst in without a word to grab the small trash bin. Lonnie thought he caught a glimpse of a name badge inside but couldnât be sure as the silent cleaner moved quickly and in an instant was gone. Guy gave one final pat on the back before he left as well, leaving Lonnie alone in the control room to watch the monitors as the mall started to come to life and start the weekend rush.
From his chair, Lonnie leaned forward to take a closer look at one of the monitors that was showing the view of an escalator and some old antique shop that always seemed to give him the creeps. A fact heâll never tell Guy, he thought to himself. In their display window he could barely make out a doll, rocking. Itâs head seemingly looking up at the camera, at him? Then the monitor blinked and showed a different camera in a different part of the mall.
The intense interest aroused in the public by what was known at the time as âThe Styles Caseâ has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist.
I will therefore briefly set down the circumstances which led to my being connected with the affair.
I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a monthâs sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his motherâs place in Essex.
We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.
âThe mater will be delighted to see you againâafter all those years,â he added.
âYour mother keeps well?â I asked.
âOh, yes. I suppose you know that she has married again?â
I am afraid I showed my surprise rather plainly. Mrs. Cavendish, who had married Johnâs father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.
Their country-place, Styles Court, had been purchased by Mr. Cavendish early in their married life. He had been completely under his wifeâs ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their step-mother, however, had always been most generous to them; indeed, they were so young at the time of their fatherâs remarriage that they always thought of her as their own mother.
Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.
John practised for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs. Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.
John noticed my surprise at the news of his motherâs remarriage and smiled rather ruefully.
âRotten little bounder too!â he said savagely. âI can tell you, Hastings, itâs making life jolly difficult for us. As for Evieâyou remember Evie?â
âNo.â
âOh, I suppose she was after your time. Sheâs the materâs factotum, companion, Jack of all trades! A great sportâold Evie! Not precisely young and beautiful, but as game as they make them.â
âYou were going to sayââ?â
âOh, this fellow! He turned up from nowhere, on the pretext of being a second cousin or something of Evieâs, though she didnât seem particularly keen to acknowledge the relationship. The fellow is an absolute outsider, anyone can see that. Heâs got a great black beard, and wears patent leather boots in all weathers! But the mater cottoned to him at once, took him on as secretaryâyou know how sheâs always running a hundred societies?â
I nodded.
âWell, of course the war has turned the hundreds into thousands. No doubt the fellow was very useful to her. But you could have knocked us all down with a feather when, three months ago, she suddenly announced that she and Alfred were engaged! The fellow must be at least twenty years younger than she is! Itâs simply bare-faced fortune hunting; but there you areâshe is her own mistress, and sheâs married him.â
âIt must be a difficult situation for you all.â
âDifficult! Itâs damnable!â
Thus it came about that, three days later, I descended from the train at Styles St. Mary, an absurd little station, with no apparent reason for existence, perched up in the midst of green fields and country lanes. John Cavendish was waiting on the platform, and piloted me out to the car.
âGot a drop or two of petrol still, you see,â he remarked. âMainly owing to the materâs activities.â
The village of Styles St. Mary was situated about two miles from the little station, and Styles Court lay a mile the other side of it. It was a still, warm day in early July. As one looked out over the flat Essex country, lying so green and peaceful under the afternoon sun, it seemed almost impossible to believe that, not so very far away, a great war was running its appointed course. I felt I had suddenly strayed into another world. As we turned in at the lodge gates, John said:
âIâm afraid youâll find it very quiet down here, Hastings.â
âMy dear fellow, thatâs just what I want.â
âOh, itâs pleasant enough if you want to lead the idle life. I drill with the volunteers twice a week, and lend a hand at the farms. My wife works regularly âon the landâ. She is up at five every morning to milk, and keeps at it steadily until lunchtime. Itâs a jolly good life taking it all roundâif it werenât for that fellow Alfred Inglethorp!â He checked the car suddenly, and glanced at his watch. âI wonder if weâve time to pick up Cynthia. No, sheâll have started from the hospital by now.â
âCynthia! Thatâs not your wife?â
âNo, Cynthia is a protĂŠgĂŠe of my motherâs, the daughter of an old schoolfellow of hers, who married a rascally solicitor. He came a cropper, and the girl was left an orphan and penniless. My mother came to the rescue, and Cynthia has been with us nearly two years now. She works in the Red Cross Hospital at Tadminster, seven miles away.â
As he spoke the last words, we drew up in front of the fine old house. A lady in a stout tweed skirt, who was bending over a flower bed, straightened herself at our approach.
âHullo, Evie, hereâs our wounded hero! Mr. HastingsâMiss Howard.â
Miss Howard shook hands with a hearty, almost painful, grip. I had an impression of very blue eyes in a sunburnt face. She was a pleasant-looking woman of about forty, with a deep voice, almost manly in its stentorian tones, and had a large sensible square body, with feet to matchâthese last encased in good thick boots. Her conversation, I soon found, was couched in the telegraphic style.
âWeeds grow like house afire. Canât keep even with âem. Shall press you in. Better be careful.â
âIâm sure I shall be only too delighted to make myself useful,â I responded.
âDonât say it. Never does. Wish you hadnât later.â
âYouâre a cynic, Evie,â said John, laughing. âWhereâs tea to-dayâinside or out?â
âOut. Too fine a day to be cooped up in the house.â
âCome on then, youâve done enough gardening for to-day. âThe labourer is worthy of his hireâ, you know. Come and be refreshed.â
âWell,â said Miss Howard, drawing off her gardening gloves, âIâm inclined to agree with you.â
She led the way round the house to where tea was spread under the shade of a large sycamore.
A figure rose from one of the basket chairs, and came a few steps to meet us.
âMy wife, Hastings,â said John.
I shall never forget my first sight of Mary Cavendish. Her tall, slender form, outlined against the bright light; the vivid sense of slumbering fire that seemed to find expression only in those wonderful tawny eyes of hers, remarkable eyes, different from any other womanâs that I have ever known; the intense power of stillness she possessed, which nevertheless conveyed the impression of a wild untamed spirit in an exquisitely civilised bodyâall these things are burnt into my memory. I shall never forget them.
She greeted me with a few words of pleasant welcome in a low clear voice, and I sank into a basket chair feeling distinctly glad that I had accepted Johnâs invitation. Mrs. Cavendish gave me some tea, and her few quiet remarks heightened my first impression of her as a thoroughly fascinating woman. An appreciative listener is always stimulating, and I described, in a humorous manner, certain incidents of my Convalescent Home, in a way which, I flatter myself, greatly amused my hostess. John, of course, good fellow though he is, could hardly be called a brilliant conversationalist.
At that moment a well remembered voice floated through the open French window near at hand:
âThen youâll write to the Princess after tea, Alfred? Iâll write to Lady Tadminster for the second day, myself. Or shall we wait until we hear from the Princess? In case of a refusal, Lady Tadminster might open it the first day, and Mrs. Crosbie the second. Then thereâs the Duchessâabout the school fĂŞte.â
There was the murmur of a manâs voice, and then Mrs. Inglethorpâs rose in reply:
âYes, certainly. After tea will do quite well. You are so thoughtful, Alfred dear.â
The French window swung open a little wider, and a handsome white-haired old lady, with a somewhat masterful cast of features, stepped out of it on to the lawn. A man followed her, a suggestion of deference in his manner.
Mrs. Inglethorp greeted me with effusion.
âWhy, if it isnât too delightful to see you again, Mr. Hastings, after all these years. Alfred, darling, Mr. Hastingsâmy husband.â
I looked with some curiosity at âAlfred darlingâ. He certainly struck a rather alien note. I did not wonder at John objecting to his beard. It was one of the longest and blackest I have ever seen. He wore gold-rimmed pince-nez, and had a curious impassivity of feature. It struck me that he might look natural on a stage, but was strangely out of place in real life. His voice was rather deep and unctuous. He placed a wooden hand in mine and said:
âThis is a pleasure, Mr. Hastings.â Then, turning to his wife: âEmily dearest, I think that cushion is a little damp.â
She beamed fondly on him, as he substituted another with every demonstration of the tenderest care. Strange infatuation of an otherwise sensible woman!
With the presence of Mr. Inglethorp, a sense of constraint and veiled hostility seemed to settle down upon the company. Miss Howard, in particular, took no pains to conceal her feelings. Mrs. Inglethorp, however, seemed to notice nothing unusual. Her volubility, which I remembered of old, had lost nothing in the intervening years, and she poured out a steady flood of conversation, mainly on the subject of the forthcoming bazaar which she was organizing and which was to take place shortly. Occasionally she referred to her husband over a question of days or dates. His watchful and attentive manner never varied. From the very first I took a firm and rooted dislike to him, and I flatter myself that my first judgments are usually fairly shrewd.
Presently Mrs. Inglethorp turned to give some instructions about letters to Evelyn Howard, and her husband addressed me in his painstaking voice:
âIs soldiering your regular profession, Mr. Hastings?â
âNo, before the war I was in Lloydâs.â
âAnd you will return there after it is over?â
âPerhaps. Either that or a fresh start altogether.â
Mary Cavendish leant forward.
âWhat would you really choose as a profession, if you could just consult your inclination?â
âWell, that depends.â
âNo secret hobby?â she asked. âTell meâyouâre drawn to something? Everyone isâusually something absurd.â
âYouâll laugh at me.â
She smiled.
âPerhaps.â
âWell, Iâve always had a secret hankering to be a detective!â
âThe real thingâScotland Yard? Or Sherlock Holmes?â
âOh, Sherlock Holmes by all means. But really, seriously, I am awfully drawn to it. I came across a man in Belgium once, a very famous detective, and he quite inflamed me. He was a marvellous little fellow. He used to say that all good detective work was a mere matter of method. My system is based on hisâthough of course I have progressed rather further. He was a funny little man, a great dandy, but wonderfully clever.â
âLike a good detective story myself,â remarked Miss Howard. âLots of nonsense written, though. Criminal discovered in last chapter. Everyone dumbfounded. Real crimeâyouâd know at once.â
âThere have been a great number of undiscovered crimes,â I argued.
âDonât mean the police, but the people that are right in it. The family. You couldnât really hoodwink them. Theyâd know.â
âThen,â I said, much amused, âyou think that if you were mixed up in a crime, say a murder, youâd be able to spot the murderer right off?â
âOf course I should. Mightnât be able to prove it to a pack of lawyers. But Iâm certain Iâd know. Iâd feel it in my fingertips if he came near me.â
âIt might be a âsheâ,â I suggested.
âMight. But murderâs a violent crime. Associate it more with a man.â
âNot in a case of poisoning.â Mrs. Cavendishâs clear voice startled me. âDr. Bauerstein was saying yesterday that, owing to the general ignorance of the more uncommon poisons among the medical profession, there were probably countless cases of poisoning quite unsuspected.â
âWhy, Mary, what a gruesome conversation!â cried Mrs. Inglethorp. âIt makes me feel as if a goose were walking over my grave. Oh, thereâs Cynthia!â
A young girl in V.A.D. uniform ran lightly across the lawn.
âWhy, Cynthia, you are late to-day. This is Mr. HastingsâMiss Murdoch.â
Cynthia Murdoch was a fresh-looking young creature, full of life and vigour. She tossed off her little V.A.D. cap, and I admired the great loose waves of her auburn hair, and the smallness and whiteness of the hand she held out to claim her tea. With dark eyes and eyelashes she would have been a beauty.
She flung herself down on the ground beside John, and as I handed her a plate of sandwiches she smiled up at me.
âSit down here on the grass, do. Itâs ever so much nicer.â
I dropped down obediently.
âYou work at Tadminster, donât you, Miss Murdoch?â
She nodded.
âFor my sins.â
âDo they bully you, then?â I asked, smiling.
âI should like to see them!â cried Cynthia with dignity.
âI have got a cousin who is nursing,â I remarked. âAnd she is terrified of âSistersâ.â
âI donât wonder. Sisters are, you know, Mr. Hastings. They simp-ly are! Youâve no idea! But Iâm not a nurse, thank heaven, I work in the dispensary.â
âHow many people do you poison?â I asked, smiling.
Cynthia smiled too.
âOh, hundreds!â she said.
âCynthia,â called Mrs. Inglethorp, âdo you think you could write a few notes for me?â
âCertainly, Aunt Emily.â
She jumped up promptly, and something in her manner reminded me that her position was a dependent one, and that Mrs. Inglethorp, kind as she might be in the main, did not allow her to forget it.
My hostess turned to me.
âJohn will show you your room. Supper is at half-past seven. We have given up late dinner for some time now. Lady Tadminster, our Memberâs wifeâshe was the late Lord Abbotsburyâs daughterâdoes the same. She agrees with me that one must set an example of economy. We are quite a war household; nothing is wasted hereâevery scrap of waste paper, even, is saved and sent away in sacks.â
I expressed my appreciation, and John took me into the house and up the broad staircase, which forked right and left half-way to different wings of the building. My room was in the left wing, and looked out over the park.
John left me, and a few minutes later I saw him from my window walking slowly across the grass arm in arm with Cynthia Murdoch. I heard Mrs. Inglethorp call âCynthiaâ impatiently, and the girl started and ran back to the house. At the same moment, a man stepped out from the shadow of a tree and walked slowly in the same direction. He looked about forty, very dark with a melancholy clean-shaven face. Some violent emotion seemed to be mastering him. He looked up at my window as he passed, and I recognized him, though he had changed much in the fifteen years that had elapsed since we last met. It was Johnâs younger brother, Lawrence Cavendish. I wondered what it was that had brought that singular expression to his face.
Then I dismissed him from my mind, and returned to the contemplation of my own affairs.
The evening passed pleasantly enough; and I dreamed that night of that enigmatical woman, Mary Cavendish.
The next morning dawned bright and sunny, and I was full of the anticipation of a delightful visit.
I did not see Mrs. Cavendish until lunch-time, when she volunteered to take me for a walk, and we spent a charming afternoon roaming in the woods, returning to the house about five.
As we entered the large hall, John beckoned us both into the smoking-room. I saw at once by his face that something disturbing had occurred. We followed him in, and he shut the door after us.
âLook here, Mary, thereâs the deuce of a mess. Evieâs had a row with Alfred Inglethorp, and sheâs off.â
âEvie? Off?â
John nodded gloomily.
âYes; you see she went to the mater, andâOh,âhereâs Evie herself.â
Miss Howard entered. Her lips were set grimly together, and she carried a small suit-case. She looked excited and determined, and slightly on the defensive.
âAt any rate,â she burst out, âIâve spoken my mind!â
âMy dear Evelyn,â cried Mrs. Cavendish, âthis canât be true!â
Miss Howard nodded grimly.
âTrue enough! Afraid I said some things to Emily she wonât forget or forgive in a hurry. Donât mind if theyâve only sunk in a bit. Probably water off a duckâs back, though. I said right out: âYouâre an old woman, Emily, and thereâs no fool like an old fool. The manâs twenty years younger than you, and donât you fool yourself as to what he married you for. Money! Well, donât let him have too much of it. Farmer Raikes has got a very pretty young wife. Just ask your Alfred how much time he spends over there.â She was very angry. Natural! I went on, âIâm going to warn you, whether you like it or not. That man would as soon murder you in your bed as look at you. Heâs a bad lot. You can say what you like to me, but remember what Iâve told you. Heâs a bad lot!ââ
âWhat did she say?â
Miss Howard made an extremely expressive grimace.
ââDarling Alfredâââdearest Alfredâââwicked calumniesâ ââwicked liesâââwicked womanââto accuse her âdear husband!â The sooner I left her house the better. So Iâm off.â
âBut not now?â
âThis minute!â
For a moment we sat and stared at her. Finally John Cavendish, finding his persuasions of no avail, went off to look up the trains. His wife followed him, murmuring something about persuading Mrs. Inglethorp to think better of it.
As she left the room, Miss Howardâs face changed. She leant towards me eagerly.
âMr. Hastings, youâre honest. I can trust you?â
I was a little startled. She laid her hand on my arm, and sank her voice to a whisper.
âLook after her, Mr. Hastings. My poor Emily. Theyâre a lot of sharksâall of them. Oh, I know what Iâm talking about. There isnât one of them thatâs not hard up and trying to get money out of her. Iâve protected her as much as I could. Now Iâm out of the way, theyâll impose upon her.â
âOf course, Miss Howard,â I said, âIâll do everything I can, but Iâm sure youâre excited and overwrought.â
She interrupted me by slowly shaking her forefinger.
âYoung man, trust me. Iâve lived in the world rather longer than you have. All I ask you is to keep your eyes open. Youâll see what I mean.â
The throb of the motor came through the open window, and Miss Howard rose and moved to the door. Johnâs voice sounded outside. With her hand on the handle, she turned her head over her shoulder, and beckoned to me.
âAbove all, Mr. Hastings, watch that devilâher husband!â
There was no time for more. Miss Howard was swallowed up in an eager chorus of protests and good-byes. The Inglethorps did not appear.
As the motor drove away, Mrs. Cavendish suddenly detached herself from the group, and moved across the drive to the lawn to meet a tall bearded man who had been evidently making for the house. The colour rose in her cheeks as she held out her hand to him.
âWho is that?â I asked sharply, for instinctively I distrusted the man.
âThatâs Dr. Bauerstein,â said John shortly.
âAnd who is Dr. Bauerstein?â
âHeâs staying in the village doing a rest cure, after a bad nervous breakdown. Heâs a London specialist; a very clever manâone of the greatest living experts on poisons, I believe.â
âAnd heâs a great friend of Maryâs,â put in Cynthia, the irrepressible.
John Cavendish frowned and changed the subject.
âCome for a stroll, Hastings. This has been a most rotten business. She always had a rough tongue, but there is no stauncher friend in England than Evelyn Howard.â
He took the path through the plantation, and we walked down to the village through the woods which bordered one side of the estate.
As we passed through one of the gates on our way home again, a pretty young woman of gipsy type coming in the opposite direction bowed and smiled.
âThatâs a pretty girl,â I remarked appreciatively.
Johnâs face hardened.
âThat is Mrs. Raikes.â
âThe one that Miss Howardâââ
âExactly,â said John, with rather unnecessary abruptness.
I thought of the white-haired old lady in the big house, and that vivid wicked little face that had just smiled into ours, and a vague chill of foreboding crept over me. I brushed it aside.
âStyles is really a glorious old place,â I said to John.
He nodded rather gloomily.
âYes, itâs a fine property. Itâll be mine some dayâshould be mine now by rights, if my father had only made a decent will. And then I shouldnât be so damned hard up as I am now.â
âHard up, are you?â
âMy dear Hastings, I donât mind telling you that Iâm at my witsâ end for money.â
âCouldnât your brother help you?â
âLawrence? Heâs gone through every penny he ever had, publishing rotten verses in fancy bindings. No, weâre an impecunious lot. My motherâs always been awfully good to us, I must say. That is, up to now. Since her marriage, of courseâââ he broke off, frowning.
For the first time I felt that, with Evelyn Howard, something indefinable had gone from the atmosphere. Her presence had spelt security. Now that security was removedâand the air seemed rife with suspicion. The sinister face of Dr. Bauerstein recurred to me unpleasantly. A vague suspicion of everyone and everything filled my mind. Just for a moment I had a premonition of approaching evil.
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In 2024 letâs broaden our horizons with a weekly writing challenge that calls upon us all to write a story using the prompts below. Just a few guidelines otherwise it wouldnât be a real challenge now would it:
More than 100 words but less than 200 words.
Must use the WORD of the WEEK in your story.
Must use at least 2 of the 3 prompts provided (person / place / thing).
OPTIONAL: Must use pen/pencil and paper!
Letâs become one with our scribbling handwriting and tell a great story!
WORD OF THE WEEK
PERSON | PLACE | THING
Once you have a story, copy/paste it in the comments! I canât wait to read what you come up with.
BONUS
If you want an added challenge, write a story using the WotW, all 3 prompts, PLUS is exactly 200 words in length.
In my late twenties I lived in a 6-story walk-up 1-bedroom apartment. What made it unique wasnât the lack of an elevator, though it was murder doing laundry and hauling up a full weekâs worth of groceries, let me tell you! No, what made it a place Iâll never forget is the set-up.
Three buildings; A, B, and C. Each of them together created a sort of square, like my little diagram below shows:
I actually went to Google Maps and got this screenshot of what the front of the building looks like. I didnât remember that it was actually more round on the facade. Anyway, what I loved about living there, besides the fact that it was straight out of a Hitchcock movie, was the sounds. At any given moment I could open my window and hear the many different sounds coming from peoples apartments. Kitchen pans, children playing, adults talking, most of them in Spanish. Then there was the opera singers. They really were the highlight of the time I spent there. On the weekends they would play a record and then sing along to it. I wish I had recorded it because they were amazing. I never met them and I couldnât tell you which apartment was theirs. I just know that it was a man and woman and their voices filled the air. I assume they were rehearsing and singing operatic music was their job and I basically got to hear some great songs for free from my apartment window.
Why am I sharing all this from my past? Well, bringing it all back to the movie Rear Window, (have you seen that movie by the way? If you havenât, I suggest you watch it because itâs really good) Iâve been thinking a lot about this movie. More importantly about the point-of-view the movie gives us.
A brief background, the movie is based on Cornell Woolrich’s 1942 short story âIt Had to Be Murder.â The premise being, when a famed action photographer hurts his leg while on the job is forced to stay at home to recuperate, he witnesses what can only be seen as murder by a neighbor in the apartment building opposite him. Along the way he convinces his devilishly attractive femme fatale girlfriend and physical therapist that the man heâs been spying on has indeed murdered his wife. Of course, he spends most of his day spying on all of his neighbors but the murderer is whatâs important to the story.
And for some reason it got me wondering what the story would be like if we were to view it from the point of view of the murderer? Lars Thorwald would be quite an interesting character to dissect. For instance, where should that story begin? There are a lot of assumptions that must be made by us, the viewer, as well as Jefferies (the main character) when coming up with a reason for why Lars felt the need to commit murder on his own wife. Sure, we see one scene where the wife is clearly berating her husband. Something she probably did often enough to him and he likely was sick of it. We also suppose he has a mistress who colludes with him to get the wife out of the way.
But to tell the story from the point of view of Lars, I wonder if going back to right before his wife ended up bed-ridden. What was the reason for it? In the movie Jefferies makes a passive statement about how she all of a sudden got sick and spent most of her days in bed complaining to her husband all the time. Is it possible that Lars was poisoning his wife but realized this method was simply taking too damn long?
Then thereâs being in the room when it happens. And by âitâ I do mean the murder and eventual dismembering of the body. I still chuckle at the infamous lines near the end of the movie, after we find out that Lars is confessing to everything and the nurse is tending to Jefferies after he just fell out his own window (breaking his other leg by the way), an officer shouts down that the body parts are scattered all over like she supposed. And the head? In a hat box in the apartment. The smug detective and friend to Jefferies who refused to believe his crazy story that the neighbor killed his wife, asks the nurse if sheâd like to see it. The hat box. And she says, âNo thanks, I donât want any part of it.â Get it? Yeah, well, I guess you need to have seen the movieâŚ
All this leads me to my May curio fiction story. Itâs still a bit rough around the edges but, picture this, a recently retired blue collar worker now spends most days as nurse-maid to his sickly wife who nags him incessantly. While out grocery shopping he bumps into a really pretty woman (maybe younger?) who sympathizes with him over coffee and pretty soon they fall in love. But he canât run off with her, heâs got his wife to think about! Or does he? The idea to commit murder comes up (I wonder who initially mentions it?) and though their plan seems foolproof they donât realize a nosey neighbor across the way may have just witnessed the whole thing. Now, I realize itâs nearly on the nose to the original which is why I want to do a few more major tweaks to the story. For instance, what if the whole idea to kill his wife is just a ruse being played on the woman he meets to con her out of money and they do this sort of thing, he and his wife, all the time? Itâs a bit weebly-wobbly but you get where Iâm going with this.
The main idea is the entire story must be seen through the eyes of the murderer and because I want to include it in my curio fiction collection of short stories, it needs to incorporate a typewriter in some way as well.
What story have you read/watched recently that you think could be interesting if told from a different characters POV?
An Anatomy of Typewriters Story / 2,150 words / 9min Read Time
This is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents in this story are either the product of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
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To say I continued my cursing tirade would be an understatement. When the flashlight hit the floor it fluttered a bit then went out. This wasnât the first time Iâd dropped it clumsily and Iâd been meaning to replace it as itâs been known to stop working if knocked about. I pulled my phone out and turned on its flashlight to help me find what I was looking for, completely forgetting why I dropped it in the first place.
âThere you are,â I said, getting down on one knee and reaching under the counter where I could see the long end of the flashlight sticking out. âOuch.â I pulled my hand out quickly, clutching the flashlight in my hand. I shine my phone light over it to see a thin, long, slash on my side of my right hand, blood is slowly trickling from it. âGod, damn it!â I turn off my phoneâs flashlight and put it back in my pocket, then retrieve my large black handkerchief that I keep in case of a sneezing emergency, or thereâs something gross I donât want to touch with my bare hands. Using my teeth, I manage to tie it around my hand, blood already beginning to seep through.
I know I need to get it looked at right away and canât leave it for too long. At least Iâll have an excuse to leave work early tonight. I turn the flashlight back on to light my way to the entrance of the shop when the familiar sound of tapping on keys starts up again.
With as much speed as I can muster I rush to the back room where the desk, chair and typewriter are all exactly where I remember them last time I was back here. Except, the chair starts to turn slowly. My light shining on it tells me thereâs no one sitting in the chair controlling it. The chair stops turning just enough for me to see the little girl doll, smiling at me. I canât see if sheâs holding anything in her hands. Her head spins in place from facing me back towards the typewriter.
To prove to myself Iâm not afraid of some porcelain doll, I walk up to the typewriter and shine the light on the paper sticking out of it:
YOU MUSTNâT LEAVE ME. I AM FRIGHTENED. PLEASE SAVE ME.
I feel something cold and hard graze my bandaged hand. I step back from the desk and look down at the doll, her stiff arm is extended. I turn around on my heels and make for the exit. A sign illuminated over the door guides my way. Once outside I fumble with my large keyring to find the master key that can open and lock all the stores in the mall. I quickly lock the shop and breath a sigh of relief. This place was giving me the creeps and I needed to leave.
I make my way back to the control room to gather my things and call my relief in case I need to leave work at any time during my shift. In all the time Iâve been here I never had to call in a relief worker before. But looking at my bandage and all the blood thatâs already soaked into it, I knew it would be a bad idea for me to wait till the end of my shift which wasnât for another eight hours.
âWhat?â The voice on the other line was gruff and grumpy. I expected it. No one would appreciate being woken up in the middle of the night, especially if itâs to report in to work a night shift at a mall.
âHey, is thisâŚâ I forgot his name already and rushed over to the calendar on the wall that listed all of our names and phone numbers as well as who our relief call should be. ââŚAaron?â
âYeah, who the fuckâs asking?â I was about to match his tone but I really needed him to come into work and if he refused, which he can do a certain number of times a year, then Iâd have to call Guy to come back in and work a double. I really didnât want to call Guy. I knew heâd make a big deal out of it and Iâd never hear the end of it.
âItâs Tripp over at Sheffield Mall. So, I cut my hand pretty bad and it looks like Iâm gonna need to go to emergency, like, right nowâŚâ
I could hear Aaron grunting and fumbling as I imagined he was turning in bed to hopefully sit up.
âWhoâs that?â A female voice asked.
âSome prick at work, baby. Go back to sleep,â Aaron said, not doing a good job, if any, of covering the phone when he said that to his lady friend. âListen, youâre SOL tonight buddy, cause Iâm not in town and even if I was, Iâm not coming in so you can get off work over some fucking paper cut bullshit.â He hung up before I could say anything back. I didnât blame him. If it were me, I might think the same thing about someone calling me to come in because they cut their hand.
By now I have blood dripping down my arm and I look on the calendar for Guyâs number. I sigh deeply and dial.
âThis is Guy,â he shouted into the phone, picking up on the first ring. It sounded like he was a club? Which seemed odd to me cause I never thought of Guy as the club going type.
âHey, Guy, itâs Tripp. You think you could come back? I cut my hand pretty bad in Anderâs Shop andââ
âIâll be right there,â Guy said and hung up, leaving me in silence. I thought I would need to do more convincing but I didnât and while I was relieved I also was apprehensive about what Guy would say when he got here.
I sat down in the office chair and held my hand up over my head to try and stop the bleeding while I waited. I wasnât sure how long it would take Guy to get here, especially if he was at some club.Â
The CCTV screens cycled through each camera as usual and the screen I used to watch a show while I ate my dinner was no longer playing anything. While I tried to decide what to watch in the meantime a light over the LOADING DOCK camera started flashing. It only did that when the loading dock door was opening to let a truck in. I checked the clipboard beside the door where all the delivery dates and times for future shipments were kept. The last one happened during Guyâs shift and the next one wasnât scheduled until an hour after my shift ended. This was normal. The mall never had shipments in the middle of the night.
From the camera I could see the shadow of the loading dock door slowly opening. âFuck me,â I said as I grabbed my flashlight again and headed for the loading dock.Â
While it wasnât a place I needed to visit often, I knew how to get to it without a map because itâs where the cleanest and nicest bathrooms were to use during my shift and some nights I find myself taking a smoke break after I take a piss, using the door beside the loading dock truck entrance.
I stopped short before walking down the long corridor because all the lights were on. They definitely shouldnât be. I turn off my flashlight but keep it in my hand to use as a weapon if necessary. Itâs certainly long enough and heavy enough where it could cause some real damage if I were to swing it at someoneâs head.
I walk slowly down the corridor, my keys making their usual jingle-jangle sounds with every step I take. I feel a breeze coming down the long hallway, telling me the loading dock door is definitely open. But I donât hear the sound of a truck engine or any sign of life at all when I round the corner. The door is open but thereâs nothing there. I start to walk down the stairs to the ground level, gripping the railing with my bad hand, streaks of my blood left behind.
âDonât leave me.â The voice comes over the loudspeaker and makes me fall back to a seated position on the stairs. It was a little girlâs voice. âHeâll get me if you leave.â
I look up towards the loudspeaker. âWhat are you doing? I told you neverââ It was definitely a manâs voice. Then the speaker cut off. I pulled myself up using my bad hand and winced, the pain was getting worse and this time moving up my arm towards my shoulder.
Before I leave the docks I push a large red button on the wall beside the open door that is a manual way to close the door. I wait the few minutes it takes to make sure the door closes completely. When it does all the lights in the corridor go out. I pull out my flashlight and start to make my way back to the main office.Â
âI do apologize for my daughter. SheâŚdoesnât realize her circumstance the way you and I do. Is that right, Tripp?â
Things were starting to get dizzy around me and I swear I hear loud music, like the person talking to me through the loudspeaker is at a club? I shake my head and try to focus my eyes. I just need to get back to the control room and wait for Guy, whoâs on his way.
âAre you hurt? Has my little girl hurt you? Donât worry. Sheâll be punished accordingly. I do hope we can still be friends after all this.â
The voice sounds familiar to me. Like Iâve heard it before but I canât quite place it. At the end of the corridor where the bathrooms are I decide to go inside, pushing the door open with my bloodied hand, leaving a sloppy print behind me as the door swings back and forth.
I splash cold water on my face and look at myself in the mirror. I see multiples of me, bouncing in and around me. I close my eyes tightly. âStop it, Tripp. Youâre just psyching yourself out. None of this is real. None of this is happening. SNAP OUT OF IT!â
Then I open my eyes to see Guy standing beside my in the mirror.
âHey there, Tripp,â he says, smiling like nothingâs going on. I step away from him, holding my hands up to protect myself. Though Iâm not sure why I feel like I need to protect myself against Guy. âYou donât look too good, buddy. Here, let me help you.â
I can feel his arms wrap around my shoulders, holding me tightly as he guides me to walk. My head bobbles back and forth, my vision going in and out as well as my hearing. I think I look over at him at one point and smile, happy to see him. Now he can deal with whatever is going on and I can go home and sleep. Wait! No! I need to go to the hospital. Iâm sure I lost too much blood at this point.
âSit yourself down here. Iâll be right back,â he says, the voice from the loudspeaker. Or is that Guyâs voice in my ear?
I try to focus my eyes and look around. I expected to see the CCTVâs but instead I see a cuckoo clock on one wall with an owl perched on top of it. The owl looks like itâs going to attack me! I let my head fall to one side and see a typewriter on a desk. The typewriter! I must be in Anderâs Shop. But how did I get here? I donât remember. I canâtâŚrememberâŚ
âI want you to meet my daughter, Tripp. Iâve been meaning to introduce you two for a while now. Itâs been a long time since sheâs made friends with the night shift guard, isnât that right, dear? I guess sheâs picky about who she wants to be friends with. Afraid I might disapprove or something.â
The chair Iâm sitting in is turned so I can see whoâs talking to me. Though I know exactly who it is. Itâs the same voice I heard when I started my shift earlier. The voice from the loudspeaker. The voice I thought would come and rescue me or at least tell me what was happening was all in my head.
Guy is standing in front of me, carefully holding the girl doll in his hand. The girl doll looks frightened. I see a tear roll down her cheek before I black out.
True confession: I have always wanted to be in a club like this. But rather than wait to find one or for one to find me I thought Iâd set out to create it myself. Even if it is just a club with one member, myself, it will be worth it!
Our goal is always to killâem with great stories of mystery and suspense. Were they to be alive today I would hope the likes of Alfred Hitchcock and Agatha Christie would not only be members but would serve as co-presidents! Hopefully, that will help you to understand the kind of club this will be and already is.
For starters, we are all writers, or at least, readers of a specific genre of story; mystery and thriller.
Itâs no all about blood and gore and violence. It takes much more skill and deference to details in order to weave a tale that will keep the reader guessing till the last sentence. I, myself, do not possess such a skill but with your help and through the books weâll read and analyze along the way, Iâm sure weâll improve exponentially.
Iâll kick things off my recommending a book for us all to read. Iâll try to make sure the books are free in the public domain and therefore easy to find, but in the future I want us to expand to newer material. Perhaps short stories as well and not just novels.
Whenever possible Iâll host Watch Partyâs for movies that we can watch together within the genres we are talking about. The Alfred Hitchcock Hour comes to mind as a possibility as well as other things.
But first, before I get all carried away, I want to thank you for opting-in to receive these emails. If you can introduce yourself in the comments and let us know a little bit about yourself, what you enjoy about murder, and what you hope to learn/do while a member of the club?
Iâll check periodically for new members and when I see a considerable number of newbies I will send another welcome email similar to this one. If you know of anyone who would enjoy to be a member of such a club (writer or reader) please do pass this email along to them and they can sign-up below:
Just remind them to OPT-IN to The Murder Pen Club or they wonât get any of these secret emails!
THE ASSIGNMENT
In the meantime, we will be starting by reading The Mysterious Affair at Styles. As murders go, itâs a doozy. Written by the Queen of Mystery herself, Dame Agatha Christie, itâs reported as being her first novel featuring the famed detective Hercule Poirot. Itâs a great way to start us off in this club and I look forward to conversing with you on the reading every Thursday.
Mark your calendars for June 28th when weâll have a Watch Party to see The Mysterious Affair at Styles together! Starring David Suchet as Hercule Poirot.