Category: The Murder Pen Society
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Arsenic and Old Lace (1944)
An Old Movie Review
First, the trailer:
Okay, for any lover of murder and of comedy this movie is required viewing. If you have not watched it before, do yourself a favor and stop reading this and go do it then come back here and share with me in singing its praises.
My Star Rating: âââââ
Director: Frank Capra
Writers: Julius & Philip Epstein and Joseph Kesselring
Starring: Carry Grant, Priscilla Lane, Raymond Massey, Jack Carson, Peter Lorre, James Gleason, Josephine Hull, and Edward Everett Horton
Synopsis: A Brooklyn writer of books on the futility of marriage risks his reputation after he decides to tie the knot. Things get even more complicated when he learns on his wedding day that his beloved maiden aunts are habitual murderers.
My Review
Cary Grant defines comedy in movies for me, much in the same way that Lucille Balls defined comedy in television. Heâs just funny. And itâs not even a forced kind of funny. His funny comes from the soles of his feet and comes right off the top of his shiny, perfectly coifed, hairstyle. He has a library of work full of just how amazing his comedy is and I could talk about them for days on end. But, I am here to mention Arsenic and Old Lace specifically because it combines comedy and suspense/thriller in such a beautiful way that you will find yourself laughing till your crying. Itâs just brilliant. Let me try my best to explain why.
WARNING: Spoilers ahead!
Donât worry though, this isnât the kind of movie where thereâs some hidden mystery or anything like that. But I will be going into some details on a lot of what makes this movie so great and that might spoil it for you, especially if youâve never seen it but would like to someday.
Letâs start with the cast. The all star cast. Not one roll is insignificant or small. From the cab driver who only has a handful of lines but all of them are quote worthy, to the drunk judge, to President Teddy Roosevelt. If they are on the screen then they are ON and they are at their best. They just donât make movies like this anymore.
One of the things I love about this movie is, with the exception of the opening at the wedding registry office, and a few scenes here and there, the entirety of the movie takes place in one place. In the house of Mortimer Brewsterâs aunts and eccentric uncle. There really is no need to go anywhere else as that is where the action is.
The story, to reiterate it is simply about Mortimer who has come home to marry the girl next door and tell the news to his aunts before they go off on their honeymoon. If only it was that easy for him to do.

When he arrives it turns out his aunts already knew that he would marry the girl next door. They are busy gabbing on and on about a party they must throw for him and Elaine (the girl next door). Mortimer is looking for his latest novel, another dig at traditional marriages. There is irony here since heâs not only just eloped but he and his new bride are going to Niagara Falls for their honeymoon! While heâs casually looking around for this manuscript that he left at his aunts the last time he visited he tells them about a play he saw recently:
Mortimer: I saw a play last week, it had a character in it, reminded me of Jonathon.
Aunt Abby: Oh, really?
Mortimer: Yeah, a honey of a lunatic. One of those whodunits called “Murder Will Out”.
Aunt Abby: Oh, dear!
Mortimer: Yeah, what a play. When the curtain goes up the first thing you see is a dead body. The next thing…
[opens the window seat and finds a dead body]
Ah, the window seat. The creaking sound it makes when they open and close it. Perfection.

We never actually see the dead body. We never see any bodies, actually. And that is the beauty of this movie. We donât need to. We see the body through the facial expression of Mortimer when he sees it. That is enough.
So, he reacts the way anyone would who sees a body in the window seat. He begins to rationalize how it mightâve gotten there. Perhaps his uncle, crazy as he is with the whole thinking heâs President Roosevelt, has finally flipped his lid and itâs time heâs put away at Happydale Sanitarium. That is a name that is said a lot in this movie. But when Mortimer tries to explain to his two dear sweet aunts what heâs discovered in the window seat and that they must commit Teddy immediately they tell him not to worry about it.
âThe gentleman is ours.â The way they say it. The look on his face. The whole scene starts there and really never lets up from that moment on. Mortimer goes from 0 to 100 throughout the movie with gusto. He is effectively us in that moment. Freaking out that his two aunts committed a murder. And when he realizes itâs not their first time!
âOthers? Did you say others? More than one others?â

Yeah, Mortimer is freaking out. What is he supposed to do? He was just stopping by to tell them the news. He has a taxi waiting outside to take him and his new wife to the airport so they can go on their honeymoon. Niagara Falls and all the trimmings. But now he canât. He has to figure out a way to save his aunts and uncle from being sent away for life. They are his family, after all.
From this point forward the movie goes at about breakneck speeds. Mortimer decides he must fast track his uncle being sent to Happy Dale Sanitarium. Which means he has to get a signature from a doctor to attest that Teddy has a couple screws loose and a judge who agrees before he can be taken away that very night! While heâs running around a gentleman looking for a place to stay, who is all alone in the world, stops byâŠ

Dear sweet aunt Abby and aunt Martha, all ready for their next âfever victimâ to drop dead. Thatâs what they tell their brother, Teddy, who believes them and buries them down in the cellar. Unfortunately, Mortimer isnât about to let another man die, not while heâs there. He has to explain to them that what they are doing is wrong.
Mortimer: Look, you can’t do things like that! Now, I don’t know how I can explain this to you. But, it’s not only against the law, its wrong!
Martha: Oh, piffle!
Mortimer: It’s not a nice thing to do. People wouldn’t understand. He wouldn’t understand. What I mean is… Well… This is developing into a very bad habit!
Now Mortimer must leave them but he makes them promise not to answer the door to ANYONE! He figures this way theyâll have less opportunities to murder someone while heâs gone. And the body is to stay right where it currently is; the window seat.
While heâs gone Aunt Abby and Aunt Martha decide to get dressed all in black so they can have proper funeral services for the gentleman in the window seat before heâs buried down in the cellar. You didnât think they werenât good christian women now, did you?
Just when they are about to go upstairs to change into their mourning attire there is a knock on the door. A strange man who, they joke, looks a lot like Boris Karloff and a smaller man are at their door. The aunts donât recognize them so they ignore the door. However, the door isnât locked so they just let themselves in.
Itâs Jonathan, Mortimerâs long lost brother. Served some time in prison. Became friends with Dr. Einstein who has followed him across country, doing drastic plastic surgery on his face in order to elude the police. Currently he is rocking a Boris Karloff look which Jonathan isnât all too happy about.
They meet Teddy who thinks that Dr. Einstein is a member of his cabinet and insists that he go down to Africa with him. That is code for down in the cellar. Naturally, the two aunts donât want Teddy to take Einstein down there. After all the two visitors are going to need to check into their hotels. AKA they want these two to scram, and fast! But Jonathan is hell bent on staying. So he orders Einstein to go downstairs.
Teddy: [showing Einstein a photo] This is the picture I was telling you about, General. Here we are, both of us. President Roosevelt and General Goethals. That’s me, General, and that’s you.
Dr. Einstein: My how I’ve changed.

And what does he discover, but a lovely dozen graves where one hole is already pre-dug. This could not come as a better surprise for them as they are currently harboring a dead body in the boot of their car! Eureka!
[discussing the body count]
Dr. Einstein: You got twelve, they got twelve.
[angrily grabs Dr. Einstein’s necktie]
Jonathan Brewster: I’ve got thirteen!
Dr. Einstein: No, Johnny, twelve – don’t brag.
Jonathan Brewster: Thirteen! There’s Mr. Spinalzo and the first one in London, two in Johannesburg, one in Sydney, one in Melbourne, two in San Francisco, one in Phoenix, Arizona…
Dr. Einstein: Phoenix?
Jonathan Brewster: The filling station…
Dr. Einstein: Filling station? Oh!
[slits throat]
Dr. Einstein: Yes.
Jonathan Brewster: Then three in Chicago and one in South Bend. That makes thirteen.
Dr. Einstein: You cannot count the one in South Bend. He died of pneumonia!
Jonathan Brewster: He wouldn’t have died of pneumonia if I hadn’t shot him!
Dr. Einstein: No, no, Johnny. You cannot count him. You got twelve, they got twelve. The old ladies is just as good as you are!
When Mortimer returns to find his long lost brother, Jonathan, has returned heâs not all too pleased to see him. And itâs not because his brother looks like a deranged killer (aka Boris Karloff) but because heâs in the middle of some crazy business already trying to put away his uncle to solve the twelve bodies in the cellar business.

But Jonathan has other plans. He and his friend are on the run from the law so for the time being they are staying. Meanwhile, Mortimer happens to look in the window seat to confirm the dead body is still there but heâs SHOCKED to discover there is a different body there!
Now itâs a showdown between Jonathan and Mortimer when he discovers the body doesnât belong to his auntâs who he falsely accused of killing someone while he was away. When the local police officers stop by for a chat he informs Jonathan that he must leave or else heâll turn them in with their cold companion in the window seat. But how can he if they know about the bodies in the cellar? Instead, Jonathan decides the only solution to dealing with his brotherâŠis death! To his credit, Dr. Einstein begs for âthe quick way.â
As is his way, it starts when Mortimer tells Dr. Einstein about the play he was telling his aunt earlier. About a man who doesnât realize a killer is coming up behind him with rope he gets from the curtain to use to tie him up!

I think Mortimer might be in trouble now!

But, in come the police! Just in timeâŠexcept, this cop would rather talk about his movie script that heâs written about his mother, a dancer at a night club! I swear you canât make this stuff up! So, while Mortimer remains tied to a chair the cop starts to reenact the story for him. All the while Mortimer is trying to get the man to freaking untie him from the chair! Or at least remove the gag in his mouth!

Even more comedy fighting ensues. I could probably go on for much longer but I hope you are convinced by now to find the movie and watch the movie. And if youâve seen it already, go watch it again like Iâm going to do. Cause itâs a classic. One of those you can watch over and over again and never get tired of it. I still laugh till Iâm crying with this movie. Itâs that damn good.
If you want to know what happens to Jonathan and his friend, does Teddy go away to Happy Dale Sanitarium, do the two aunts get found out about what they have buried in the cellar, and does Mortimer ever go on his honeymoon in the taxi waiting outside for him this entire time, then youâll need to watch the movie to find out!
Iâll leave you with the top tier of best dialog scenes in the movie:
When Mortimer is trying to understand what heâs just discovered about his aunts and their apparent penchant for murdering lonely men who have no one. This is the end of my review but I wanted to share this and Aunt Marthaâs recipe for you in case you ever wanted to try it. But donât tell anyone where you got it from!
Mortimer: Look, Aunt Martha, men don’t just get into window seats and die!
Aunt Abby: We know, dear. He died first.
Mortimer: Wait a minute! Stop all this. Now, look, darling, how did he die?
Aunt Abby: Oh, Mortimer, don’t be so inquisitive. The gentleman died because he drank some wine with poison in it.
Mortimer: How did the poison get in the wine?
Aunt Martha: Well, we put it in wine, because it’s less noticeable. When it’s in tea, it has a distinct odor.
Mortimer: You mean, you… You put it in the wine!
Aunt Abby: Yes. And I put Mr. Hoskins in the window seat, because Reverend Harper was coming.
Mortimer: Now, look at me, darling. You mean, you mean you knew what you’d done and you didn’t want the Reverend Harper to see the body?
Aunt Abby: Well, not at tea. That wouldn’t have been very nice.
Mortimer: Oh, it’s first-degree.
Aunt Abby: Now, Mortimer, you know all about it and just forget about it. I do think that Aunt Martha and I have the right to our own little secrets.
AUNT MARTHAâS RECIPE
Aunt Martha: For a gallon of elderberry wine, I take one teaspoon full of arsenic, then add half a teaspoon full of strychnine, and then just a pinch of cyanide.
Mortimer: Hmm. Should have quite a kick.
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Poirot Investigates – Chapter 4
The Mysterious Affair at Styles by Agatha Christie

Discussions about the chapter happening in the comments section! Join us!
The house which the Belgians occupied in the village was quite close to the park gates. One could save time by taking a narrow path through the long grass, which cut off the detours of the winding drive. So I, accordingly, went that way. I had nearly reached the lodge, when my attention was arrested by the running figure of a man approaching me. It was Mr. Inglethorp. Where had he been? How did he intend to explain his absence?
He accosted me eagerly.
âMy God! This is terrible! My poor wife! I have only just heard.â
âWhere have you been?â I asked.
âDenby kept me late last night. It was one oâclock before weâd finished. Then I found that Iâd forgotten the latch-key after all. I didnât want to arouse the household, so Denby gave me a bed.â
âHow did you hear the news?â I asked.
âWilkins knocked Denby up to tell him. My poor Emily! She was so self-sacrificingâsuch a noble character. She over-taxed her strength.â
A wave of revulsion swept over me. What a consummate hypocrite the man was!
âI must hurry on,â I said, thankful that he did not ask me whither I was bound.
In a few minutes I was knocking at the door of Leastways Cottage.
Getting no answer, I repeated my summons impatiently. A window above me was cautiously opened, and Poirot himself looked out.
He gave an exclamation of surprise at seeing me. In a few brief words, I explained the tragedy that had occurred, and that I wanted his help.
âWait, my friend, I will let you in, and you shall recount to me the affair whilst I dress.â
In a few moments he had unbarred the door, and I followed him up to his room. There he installed me in a chair, and I related the whole story, keeping back nothing, and omitting no circumstance, however insignificant, whilst he himself made a careful and deliberate toilet.
I told him of my awakening, of Mrs. Inglethorpâs dying words, of her husbandâs absence, of the quarrel the day before, of the scrap of conversation between Mary and her mother-in-law that I had overheard, of the former quarrel between Mrs. Inglethorp and Evelyn Howard, and of the latterâs innuendoes.
I was hardly as clear as I could wish. I repeated myself several times, and occasionally had to go back to some detail that I had forgotten. Poirot smiled kindly on me.
âThe mind is confused? Is it not so? Take time, mon ami. You are agitated; you are excitedâit is but natural. Presently, when we are calmer, we will arrange the facts, neatly, each in his proper place. We will examineâand reject. Those of importance we will put on one side; those of no importance, pouf!ââhe screwed up his cherub-like face, and puffed comically enoughââblow them away!â
âThatâs all very well,â I objected, âbut how are you going to decide what is important, and what isnât? That always seems the difficulty to me.â
Poirot shook his head energetically. He was now arranging his moustache with exquisite care.
âNot so. Voyons! One fact leads to anotherâso we continue. Does the next fit in with that? A merveille! Good! We can proceed. This next little factâno! Ah, that is curious! There is something missingâa link in the chain that is not there. We examine. We search. And that little curious fact, that possibly paltry little detail that will not tally, we put it here!â He made an extravagant gesture with his hand. âIt is significant! It is tremendous!â
âYâesâââ
âAh!â Poirot shook his forefinger so fiercely at me that I quailed before it. âBeware! Peril to the detective who says: âIt is so smallâit does not matter. It will not agree. I will forget it.â That way lies confusion! Everything matters.â
âI know. You always told me that. Thatâs why I have gone into all the details of this thing whether they seemed to me relevant or not.â
âAnd I am pleased with you. You have a good memory, and you have given me the facts faithfully. Of the order in which you present them, I say nothingâtruly, it is deplorable! But I make allowancesâyou are upset. To that I attribute the circumstance that you have omitted one fact of paramount importance.â
âWhat is that?â I asked.
âYou have not told me if Mrs. Inglethorp ate well last night.â
I stared at him. Surely the war had affected the little manâs brain. He was carefully engaged in brushing his coat before putting it on, and seemed wholly engrossed in the task.
âI donât remember,â I said. âAnd, anyway, I donât seeâââ
âYou do not see? But it is of the first importance.â
âI canât see why,â I said, rather nettled. âAs far as I can remember, she didnât eat much. She was obviously upset, and it had taken her appetite away. That was only natural.â
âYes,â said Poirot thoughtfully, âit was only natural.â
He opened a drawer, and took out a small despatch-case, then turned to me.
âNow I am ready. We will proceed to the chĂąteau, and study matters on the spot. Excuse me, mon ami, you dressed in haste, and your tie is on one side. Permit me.â With a deft gesture, he rearranged it.
âĂa y est! Now, shall we start?â
We hurried up the village, and turned in at the lodge gates. Poirot stopped for a moment, and gazed sorrowfully over the beautiful expanse of park, still glittering with morning dew.
âSo beautiful, so beautiful, and yet, the poor family, plunged in sorrow, prostrated with grief.â
He looked at me keenly as he spoke, and I was aware that I reddened under his prolonged gaze.
Was the family prostrated by grief? Was the sorrow at Mrs. Inglethorpâs death so great? I realized that there was an emotional lack in the atmosphere. The dead woman had not the gift of commanding love. Her death was a shock and a distress, but she would not be passionately regretted.
Poirot seemed to follow my thoughts. He nodded his head gravely.
âNo, you are right,â he said, âit is not as though there was a blood tie. She has been kind and generous to these Cavendishes, but she was not their own mother. Blood tellsâalways remember thatâblood tells.â
âPoirot,â I said, âI wish you would tell me why you wanted to know if Mrs. Inglethorp ate well last night? I have been turning it over in my mind, but I canât see how it has anything to do with the matter?â
He was silent for a minute or two as we walked along, but finally he said:
âI do not mind telling youâthough, as you know, it is not my habit to explain until the end is reached. The present contention is that Mrs. Inglethorp died of strychnine poisoning, presumably administered in her coffee.â
âYes?â
âWell, what time was the coffee served?â
âAbout eight oâclock.â
âTherefore she drank it between then and half-past eightâcertainly not much later. Well, strychnine is a fairly rapid poison. Its effects would be felt very soon, probably in about an hour. Yet, in Mrs. Inglethorpâs case, the symptoms do not manifest themselves until five oâclock the next morning: nine hours! But a heavy meal, taken at about the same time as the poison, might retard its effects, though hardly to that extent. Still, it is a possibility to be taken into account. But, according to you, she ate very little for supper, and yet the symptoms do not develop until early the next morning! Now that is a curious circumstance, my friend. Something may arise at the autopsy to explain it. In the meantime, remember it.â
As we neared the house, John came out and met us. His face looked weary and haggard.
âThis is a very dreadful business, Monsieur Poirot,â he said. âHastings has explained to you that we are anxious for no publicity?â
âI comprehend perfectly.â
âYou see, it is only suspicion so far. We have nothing to go upon.â
âPrecisely. It is a matter of precaution only.â
John turned to me, taking out his cigarette-case, and lighting a cigarette as he did so.
âYou know that fellow Inglethorp is back?â
âYes. I met him.â
John flung the match into an adjacent flower bed, a proceeding which was too much for Poirotâs feelings. He retrieved it, and buried it neatly.
âItâs jolly difficult to know how to treat him.â
âThat difficulty will not exist long,â pronounced Poirot quietly.
John looked puzzled, not quite understanding the portent of this cryptic saying. He handed the two keys which Dr. Bauerstein had given him to me.
âShow Monsieur Poirot everything he wants to see.â
âThe rooms are locked?â asked Poirot.
âDr. Bauerstein considered it advisable.â
Poirot nodded thoughtfully.
âThen he is very sure. Well, that simplifies matters for us.â
We went up together to the room of the tragedy. For convenience I append a plan of the room and the principal articles of furniture in it.
Poirot locked the door on the inside, and proceeded to a minute inspection of the room. He darted from one object to the other with the agility of a grasshopper. I remained by the door, fearing to obliterate any clues. Poirot, however, did not seem grateful to me for my forbearance.
âWhat have you, my friend,â he cried, âthat you remain there likeâhow do you say it?âah, yes, the stuck pig?â
I explained that I was afraid of obliterating any foot-marks.
âFoot-marks? But what an idea! There has already been practically an army in the room! What foot-marks are we likely to find? No, come here and aid me in my search. I will put down my little case until I need it.â
He did so, on the round table by the window, but it was an ill-advised proceeding; for, the top of it being loose, it tilted up, and precipitated the despatch-case on the floor.
âEh voilĂ une table!â cried Poirot. âAh, my friend, one may live in a big house and yet have no comfort.â
After which piece of moralizing, he resumed his search.
A small purple despatch-case, with a key in the lock, on the writing-table, engaged his attention for some time. He took out the key from the lock, and passed it to me to inspect. I saw nothing peculiar, however. It was an ordinary key of the Yale type, with a bit of twisted wire through the handle.
Next, he examined the framework of the door we had broken in, assuring himself that the bolt had really been shot. Then he went to the door opposite leading into Cynthiaâs room. That door was also bolted, as I had stated. However, he went to the length of unbolting it, and opening and shutting it several times; this he did with the utmost precaution against making any noise. Suddenly something in the bolt itself seemed to rivet his attention. He examined it carefully, and then, nimbly whipping out a pair of small forceps from his case, he drew out some minute particle which he carefully sealed up in a tiny envelope.
On the chest of drawers there was a tray with a spirit lamp and a small saucepan on it. A small quantity of a dark fluid remained in the saucepan, and an empty cup and saucer that had been drunk out of stood near it.
I wondered how I could have been so unobservant as to overlook this. Here was a clue worth having. Poirot delicately dipped his finger into liquid, and tasted it gingerly. He made a grimace.
âCocoaâwithâI thinkârum in it.â
He passed on to the debris on the floor, where the table by the bed had been overturned. A reading-lamp, some books, matches, a bunch of keys, and the crushed fragments of a coffee-cup lay scattered about.
âAh, this is curious,â said Poirot.
âI must confess that I see nothing particularly curious about it.â
âYou do not? Observe the lampâthe chimney is broken in two places; they lie there as they fell. But see, the coffee-cup is absolutely smashed to powder.â
âWell,â I said wearily, âI suppose someone must have stepped on it.â
âExactly,â said Poirot, in an odd voice. âSomeone stepped on it.â
He rose from his knees, and walked slowly across to the mantelpiece, where he stood abstractedly fingering the ornaments, and straightening themâa trick of his when he was agitated.
âMon ami,â he said, turning to me, âsomebody stepped on that cup, grinding it to powder, and the reason they did so was either because it contained strychnine orâwhich is far more seriousâbecause it did not contain strychnine!â
I made no reply. I was bewildered, but I knew that it was no good asking him to explain. In a moment or two he roused himself, and went on with his investigations. He picked up the bunch of keys from the floor, and twirling them round in his fingers finally selected one, very bright and shining, which he tried in the lock of the purple despatch-case. It fitted, and he opened the box, but after a momentâs hesitation, closed and relocked it, and slipped the bunch of keys, as well as the key that had originally stood in the lock, into his own pocket.
âI have no authority to go through these papers. But it should be doneâat once!â
He then made a very careful examination of the drawers of the wash-stand. Crossing the room to the left-hand window, a round stain, hardly visible on the dark brown carpet, seemed to interest him particularly. He went down on his knees, examining it minutelyâeven going so far as to smell it.
Finally, he poured a few drops of the cocoa into a test tube, sealing it up carefully. His next proceeding was to take out a little notebook.
âWe have found in this room,â he said, writing busily, âsix points of interest. Shall I enumerate them, or will you?â
âOh, you,â I replied hastily.
âVery well, then. One, a coffee-cup that has been ground into powder; two, a despatch-case with a key in the lock; three, a stain on the floor.â
âThat may have been done some time ago,â I interrupted.
âNo, for it is still perceptibly damp and smells of coffee. Four, a fragment of some dark green fabricâonly a thread or two, but recognizable.â
âAh!â I cried. âThat was what you sealed up in the envelope.â
âYes. It may turn out to be a piece of one of Mrs. Inglethorpâs own dresses, and quite unimportant. We shall see. Five, this!â With a dramatic gesture, he pointed to a large splash of candle grease on the floor by the writing-table. âIt must have been done since yesterday, otherwise a good housemaid would have at once removed it with blotting-paper and a hot iron. One of my best hats onceâbut that is not to the point.â
âIt was very likely done last night. We were very agitated. Or perhaps Mrs. Inglethorp herself dropped her candle.â
âYou brought only one candle into the room?â
âYes. Lawrence Cavendish was carrying it. But he was very upset. He seemed to see something over hereââI indicated the mantelpieceââthat absolutely paralysed him.â
âThat is interesting,â said Poirot quickly. âYes, it is suggestiveââhis eye sweeping the whole length of the wallââbut it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrenceâs candle, which is still on the dressing-table, is pink. On the other hand, Mrs. Inglethorp had no candlestick in the room, only a reading-lamp.â
âThen,â I said, âwhat do you deduce?â
To which my friend only made a rather irritating reply, urging me to use my own natural faculties.
âAnd the sixth point?â I asked. âI suppose it is the sample of cocoa.â
âNo,â said Poirot thoughtfully. âI might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present.â
He looked quickly round the room. âThere is nothing more to be done here, I think, unlessââhe stared earnestly and long at the dead ashes in the grate. âThe fire burnsâand it destroys. But by chanceâthere might beâlet us see!â
Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation.
âThe forceps, Hastings!â
I quickly handed them to him, and with skill he extracted a small piece of half charred paper.
âThere, mon ami!â he cried. âWhat do you think of that?â
I scrutinized the fragment. This is an exact reproduction of it:â

I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.
âPoirot!â I cried. âThis is a fragment of a will!â
âExactly.â
I looked up at him sharply.
âYou are not surprised?â
âNo,â he said gravely, âI expected it.â
I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside.
âNow, my friend,â said Poirot briskly, âwe will go. I should like to ask a few questions of the parlourmaidâDorcas, her name is, is it not?â
We passed through Alfred Inglethorpâs room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorpâs room as before.
I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas.
When I returned with her, however, the boudoir was empty.
âPoirot,â I cried, âwhere are you?â
âI am here, my friend.â
He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds.
âAdmirable!â he murmured. âAdmirable! What symmetry! Observe that crescent; and those diamondsâtheir neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?â
âYes, I believe they were at it yesterday afternoon. But come inâDorcas is here.â
âEh bien, eh bien! Do not grudge me a momentâs satisfaction of the eye.â
âYes, but this affair is more important.â
âAnd how do you know that these fine begonias are not of equal importance?â
I shrugged my shoulders. There was really no arguing with him if he chose to take that line.
âYou do not agree? But such things have been. Well, we will come in and interview the brave Dorcas.â
Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant.
In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair.
âPray be seated, mademoiselle.â
âThank you, sir.â
âYou have been with your mistress many years, is it not so?â
âTen years, sir.â
âThat is a long time, and very faithful service. You were much attached to her, were you not?â
âShe was a very good mistress to me, sir.â
âThen you will not object to answering a few questions. I put them to you with Mr. Cavendishâs full approval.â
âOh, certainly, sir.â
âThen I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?â
âYes, sir. But I donât know that I oughtâââ Dorcas hesitated.
Poirot looked at her keenly.
âMy good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistressâs secrets. Your mistress lies dead, and it is necessary that we should know allâif we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice.â
âAmen to that,â said Dorcas fiercely. âAnd, naming no names, thereâs one in this house that none of us could ever abide! And an ill day it was when first he darkened the threshold.â
Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked:
âNow, as to this quarrel? What is the first you heard of it?â
âWell, sir, I happened to be going along the hall outside yesterdayâââ
âWhat time was that?â
âI couldnât say exactly, sir, but it wasnât tea-time by a long way. Perhaps four oâclockâor it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didnât exactly mean to listen, butâwell, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly. âYou have lied to me, and deceived me,â she said. I didnât hear what Mr. Inglethorp replied. He spoke a good bit lower than she didâbut she answered: âHow dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!â Again I didnât hear what he said, but she went on: âNothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.â Then I thought I heard them coming out, so I went off quickly.â
âYou are sure it was Mr. Inglethorpâs voice you heard?â
âOh, yes, sir, whose elseâs could it be?â
âWell, what happened next?â
âLater, I came back to the hall; but it was all quiet. At five oâclock, Mrs. Inglethorp rang the bell and told me to bring her a cup of teaânothing to eatâto the boudoir. She was looking dreadfulâso white and upset. âDorcas,â she says, âIâve had a great shock.â âIâm sorry for that, mâm,â I says. âYouâll feel better after a nice hot cup of tea, mâm.â She had something in her hand. I donât know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldnât believe what was written there. She whispered to herself, as though she had forgotten I was there: âThese few wordsâand everythingâs changed.â And then she says to me: âNever trust a man, Dorcas, theyâre not worth it!â I hurried off, and got her a good strong cup of tea, and she thanked me, and said sheâd feel better when sheâd drunk it. âI donât know what to do,â she says. âScandal between husband and wife is a dreadful thing, Dorcas. Iâd rather hush it up if I could.â Mrs. Cavendish came in just then, so she didnât say any more.â
âShe still had the letter, or whatever it was, in her hand?â
âYes, sir.â
âWhat would she be likely to do with it afterwards?â
âWell, I donât know, sir, I expect she would lock it up in that purple case of hers.â
âIs that where she usually kept important papers?â
âYes, sir. She brought it down with her every morning, and took it up every night.â
âWhen did she lose the key of it?â
âShe missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it.â
âBut she had a duplicate key?â
âOh, yes, sir.â
Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled.
âNever mind, Dorcas, it is my business to know things. Is this the key that was lost?â He drew from his pocket the key that he had found in the lock of the despatch-case upstairs.
Dorcasâs eyes looked as though they would pop out of her head.
âThatâs it, sir, right enough. But where did you find it? I looked everywhere for it.â
âAh, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?â
Dorcas was rather startled by the unexpected question.
âNo, sir.â
âAre you quite sure?â
âOh, yes, sir.â
âHas anyone else in the house got a green dress?â
Dorcas reflected.
âMiss Cynthia has a green evening dress.â
âLight or dark green?â
âA light green, sir; a sort of chiffon, they call it.â
âAh, that is not what I want. And nobody else has anything green?â
âNo, sirânot that I know of.â
Poirotâs face did not betray a trace of whether he was disappointed or otherwise. He merely remarked:
âGood, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?â
âNot last night, sir, I know she didnât.â
âWhy do you know so positively?â
âBecause the box was empty. She took the last one two days ago, and she didnât have any more made up.â
âYou are quite sure of that?â
âPositive, sir.â
âThen that is cleared up! By the way, your mistress didnât ask you to sign any paper yesterday?â
âTo sign a paper? No, sir.â
âWhen Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?â
âIâm afraid I couldnât, sir. I was out in the evening. Perhaps Annie could tell you, though sheâs a careless girl. Never cleared the coffee-cups away last night. Thatâs what happens when Iâm not here to look after things.â
Poirot lifted his hand.
âSince they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them.â
âVery well, sir.â
âWhat time did you go out last evening?â
âAbout six oâclock, sir.â
âThank you, Dorcas, that is all I have to ask you.â He rose and strolled to the window. âI have been admiring these flower beds. How many gardeners are employed here, by the way?â
âOnly three now, sir. Five, we had, before the war, when it was kept as a gentlemanâs place should be. I wish you could have seen it then, sir. A fair sight it was. But now thereâs only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!â
âThe good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?â
âYes, sir. Thank you, sir.â
âHow did you know that Mrs. Inglethorp took sleeping powders?â I asked, in lively curiosity, as Dorcas left the room. âAnd about the lost key and the duplicate?â
âOne thing at a time. As to the sleeping powders, I knew by this.â He suddenly produced a small cardboard box, such as chemists use for powders.
âWhere did you find it?â
âIn the wash-stand drawer in Mrs. Inglethorpâs bedroom. It was Number Six of my catalogue.â
âBut I suppose, as the last powder was taken two days ago, it is not of much importance?â
âProbably not, but do you notice anything that strikes you as peculiar about this box?â
I examined it closely.
âNo, I canât say that I do.â
âLook at the label.â
I read the label carefully: ââOne powder to be taken at bedtime, if required. Mrs. Inglethorp.â No, I see nothing unusual.â
âNot the fact that there is no chemistâs name?â
âAh!â I exclaimed. âTo be sure, that is odd!â
âHave you ever known a chemist to send out a box like that, without his printed name?â
âNo, I canât say that I have.â
I was becoming quite excited, but Poirot damped my ardour by remarking:
âYet the explanation is quite simple. So do not intrigue yourself, my friend.â
An audible creaking proclaimed the approach of Annie, so I had no time to reply.
Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy.
Poirot came to the point at once, with a business-like briskness.
âI sent for you, Annie, because I thought you might be able to tell me something about the letters Mrs. Inglethorp wrote last night. How many were there? And can you tell me any of the names and addresses?â
Annie considered.
âThere were four letters, sir. One was to Miss Howard, and one was to Mr. Wells, the lawyer, and the other two I donât think I remember, sirâoh, yes, one was to Rossâs, the caterers in Tadminster. The other one, I donât remember.â
âThink,â urged Poirot.
Annie racked her brains in vain.
âIâm sorry, sir, but itâs clean gone. I donât think I can have noticed it.â
âIt does not matter,â said Poirot, not betraying any sign of disappointment. âNow I want to ask you about something else. There is a saucepan in Mrs. Inglethorpâs room with some cocoa in it. Did she have that every night?â
âYes, sir, it was put in her room every evening, and she warmed it up in the nightâwhenever she fancied it.â
âWhat was it? Plain cocoa?â
âYes, sir, made with milk, with a teaspoonful of sugar, and two teaspoonfuls of rum in it.â
âWho took it to her room?â
âI did, sir.â
âAlways?â
âYes, sir.â
âAt what time?â
âWhen I went to draw the curtains, as a rule, sir.â
âDid you bring it straight up from the kitchen then?â
âNo, sir, you see thereâs not much room on the gas stove, so cook used to make it early, before putting the vegetables on for supper. Then I used to bring it up, and put it on the table by the swing door, and take it into her room later.â
âThe swing door is in the left wing, is it not?â
âYes, sir.â
âAnd the table, is it on this side of the door, or on the fartherâservantsâ side?â
âItâs this side, sir.â
âWhat time did you bring it up last night?â
âAbout quarter-past seven, I should say, sir.â
âAnd when did you take it into Mrs. Inglethorpâs room?â
âWhen I went to shut up, sir. About eight oâclock. Mrs. Inglethorp came up to bed before Iâd finished.â
âThen, between seven-fifteen and eight oâclock, the cocoa was standing on the table in the left wing?â
âYes, sir.â Annie had been growing redder and redder in the face, and now she blurted out unexpectedly:
âAnd if there was salt in it, sir, it wasnât me. I never took the salt near it.â
âWhat makes you think there was salt in it?â asked Poirot.
âSeeing it on the tray, sir.â
âYou saw some salt on the tray?â
âYes. Coarse kitchen salt, it looked. I never noticed it when I took the tray up, but when I came to take it into the mistressâs room I saw it at once, and I suppose I ought to have taken it down again, and asked cook to make some fresh. But I was in a hurry, because Dorcas was out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So I dusted it off with my apron, and took it in.â
I had the utmost difficulty in controlling my excitement. Unknown to herself, Annie had provided us with an important piece of evidence. How she would have gaped if she had realized that her âcoarse kitchen saltâ was strychnine, one of the most deadly poisons known to mankind. I marvelled at Poirotâs calm. His self-control was astonishing. I awaited his next question with impatience, but it disappointed me.
âWhen you went into Mrs. Inglethorpâs room, was the door leading into Miss Cynthiaâs room bolted?â
âOh! Yes, sir; it always was. It had never been opened.â
âAnd the door into Mr. Inglethorpâs room? Did you notice if that was bolted too?â
Annie hesitated.
âI couldnât rightly say, sir; it was shut but I couldnât say whether it was bolted or not.â
âWhen you finally left the room, did Mrs. Inglethorp bolt the door after you?â
âNo, sir, not then, but I expect she did later. She usually did lock it at night. The door into the passage, that is.â
âDid you notice any candle grease on the floor when you did the room yesterday?â
âCandle grease? Oh, no, sir. Mrs. Inglethorp didnât have a candle, only a reading-lamp.â
âThen, if there had been a large patch of candle grease on the floor, you think you would have been sure to have seen it?â
âYes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron.â
Then Poirot repeated the question he had put to Dorcas:
âDid your mistress ever have a green dress?â
âNo, sir.â
âNor a mantle, nor a cape, nor aâhow do you call it?âa sports coat?â
âNot green, sir.â
âNor anyone else in the house?â
Annie reflected.
âNo, sir.â
âYou are sure of that?â
âQuite sure.â
âBien! That is all I want to know. Thank you very much.â
With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth.
âPoirot,â I cried, âI congratulate you! This is a great discovery.â
âWhat is a great discovery?â
âWhy, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night.â
âSo you think that the cocoaâmark well what I say, Hastings, the cocoaâcontained strychnine?â
âOf course! That salt on the tray, what else could it have been?â
âIt might have been salt,â replied Poirot placidly.
I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind.
Poirot was surveying me with quietly twinkling eyes.
âYou are not pleased with me, mon ami?â
âMy dear Poirot,â I said coldly, âit is not for me to dictate to you. You have a right to your own opinion, just as I have to mine.â
âA most admirable sentiment,â remarked Poirot, rising briskly to his feet. âNow I have finished with this room. By the way, whose is the smaller desk in the corner?â
âMr. Inglethorpâs.â
âAh!â He tried the roll top tentatively. âLocked. But perhaps one of Mrs. Inglethorpâs keys would open it.â He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. âVoilĂ ! It is not the key, but it will open it at a pinch.â He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: âDecidedly, he is a man of method, this Mr. Inglethorp!â
A âman of methodâ was, in Poirotâs estimation, the highest praise that could be bestowed on any individual.
I felt that my friend was not what he had been as he rambled on disconnectedly:
âThere were no stamps in his desk, but there might have been, eh, mon ami? There might have been? Yesââhis eyes wandered round the roomââthis boudoir has nothing more to tell us. It did not yield much. Only this.â
He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it.

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The Night of the Tragedy – Chapter 3
The Mysterious Affair at Styles by Agatha Christie

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To make this part of my story clear, I append the following plan of the first floor of Styles. The servantsâ rooms are reached through the door B. They have no communication with the right wing, where the Inglethorpsâ rooms were situated.

It seemed to be the middle of the night when I was awakened by Lawrence Cavendish. He had a candle in his hand, and the agitation of his face told me at once that something was seriously wrong.
âWhatâs the matter?â I asked, sitting up in bed, and trying to collect my scattered thoughts.
âWe are afraid my mother is very ill. She seems to be having some kind of fit. Unfortunately she has locked herself in.â
âIâll come at once.â
I sprang out of bed; and, pulling on a dressing-gown, followed Lawrence along the passage and the gallery to the right wing of the house.
John Cavendish joined us, and one or two of the servants were standing round in a state of awe-stricken excitement. Lawrence turned to his brother.
âWhat do you think we had better do?â
Never, I thought, had his indecision of character been more apparent.
John rattled the handle of Mrs. Inglethorpâs door violently, but with no effect. It was obviously locked or bolted on the inside. The whole household was aroused by now. The most alarming sounds were audible from the interior of the room. Clearly something must be done.
âTry going through Mr. Inglethorpâs room, sir,â cried Dorcas. âOh, the poor mistress!â
Suddenly I realized that Alfred Inglethorp was not with usâthat he alone had given no sign of his presence. John opened the door of his room. It was pitch dark, but Lawrence was following with the candle, and by its feeble light we saw that the bed had not been slept in, and that there was no sign of the room having been occupied.
We went straight to the connecting door. That, too, was locked or bolted on the inside. What was to be done?
âOh, dear, sir,â cried Dorcas, wringing her hands, âwhat ever shall we do?â
âWe must try and break the door in, I suppose. Itâll be a tough job, though. Here, let one of the maids go down and wake Baily and tell him to go for Dr. Wilkins at once. Now then, weâll have a try at the door. Half a moment, though, isnât there a door into Miss Cynthiaâs rooms?â
âYes, sir, but thatâs always bolted. Itâs never been undone.â
âWell, we might just see.â
He ran rapidly down the corridor to Cynthiaâs room. Mary Cavendish was there, shaking the girlâwho must have been an unusually sound sleeperâand trying to wake her.
In a moment or two he was back.
âNo good. Thatâs bolted too. We must break in the door. I think this one is a shade less solid than the one in the passage.â
We strained and heaved together. The framework of the door was solid, and for a long time it resisted our efforts, but at last we felt it give beneath our weight, and finally, with a resounding crash, it was burst open.
We stumbled in together, Lawrence still holding his candle. Mrs. Inglethorp was lying on the bed, her whole form agitated by violent convulsions, in one of which she must have overturned the table beside her. As we entered, however, her limbs relaxed, and she fell back upon the pillows.
John strode across the room, and lit the gas. Turning to Annie, one of the housemaids, he sent her downstairs to the dining-room for brandy. Then he went across to his mother whilst I unbolted the door that gave on the corridor.
I turned to Lawrence, to suggest that I had better leave them now that there was no further need of my services, but the words were frozen on my lips. Never have I seen such a ghastly look on any manâs face. He was white as chalk, the candle he held in his shaking hand was sputtering onto the carpet, and his eyes, petrified with terror, or some such kindred emotion, stared fixedly over my head at a point on the further wall. It was as though he had seen something that turned him to stone. I instinctively followed the direction of his eyes, but I could see nothing unusual. The still feebly flickering ashes in the grate, and the row of prim ornaments on the mantelpiece, were surely harmless enough.
The violence of Mrs. Inglethorpâs attack seemed to be passing. She was able to speak in short gasps.
âBetter nowâvery suddenâstupid of meâto lock myself in.â
A shadow fell on the bed and, looking up, I saw Mary Cavendish standing near the door with her arm around Cynthia. She seemed to be supporting the girl, who looked utterly dazed and unlike herself. Her face was heavily flushed, and she yawned repeatedly.
âPoor Cynthia is quite frightened,â said Mrs. Cavendish in a low clear voice. She herself, I noticed, was dressed in her white land smock. Then it must be later than I thought. I saw that a faint streak of daylight was showing through the curtains of the windows, and that the clock on the mantelpiece pointed to close upon five oâclock.
A strangled cry from the bed startled me. A fresh access of pain seized the unfortunate old lady. The convulsions were of a violence terrible to behold. Everything was confusion. We thronged round her, powerless to help or alleviate. A final convulsion lifted her from the bed, until she appeared to rest upon her head and her heels, with her body arched in an extraordinary manner. In vain Mary and John tried to administer more brandy. The moments flew. Again the body arched itself in that peculiar fashion.
At that moment, Dr. Bauerstein pushed his way authoritatively into the room. For one instant he stopped dead, staring at the figure on the bed, and, at the same instant, Mrs. Inglethorp cried out in a strangled voice, her eyes fixed on the doctor:
âAlfredâAlfredâââ Then she fell back motionless on the pillows.
With a stride, the doctor reached the bed, and seizing her arms worked them energetically, applying what I knew to be artificial respiration. He issued a few short sharp orders to the servants. An imperious wave of his hand drove us all to the door. We watched him, fascinated, though I think we all knew in our hearts that it was too late, and that nothing could be done now. I could see by the expression on his face that he himself had little hope.
Finally he abandoned his task, shaking his head gravely. At that moment, we heard footsteps outside, and Dr. Wilkins, Mrs. Inglethorpâs own doctor, a portly, fussy little man, came bustling in.
In a few words Dr. Bauerstein explained how he had happened to be passing the lodge gates as the car came out, and had run up to the house as fast as he could, whilst the car went on to fetch Dr. Wilkins. With a faint gesture of the hand, he indicated the figure on the bed.
âVeâry sad. Veâry sad,â murmured Dr. Wilkins. âPoor dear lady. Always did far too muchâfar too muchâagainst my advice. I warned her. Her heart was far from strong. âTake it easy,â I said to her, âTakeâitâeasyâ. But noâher zeal for good works was too great. Nature rebelled. Naâtureâreâbelled.â
Dr. Bauerstein, I noticed, was watching the local doctor narrowly. He still kept his eyes fixed on him as he spoke.
âThe convulsions were of a peculiar violence, Dr. Wilkins. I am sorry you were not here in time to witness them. They were quiteâtetanic in character.â
âAh!â said Dr. Wilkins wisely.
âI should like to speak to you in private,â said Dr. Bauerstein. He turned to John. âYou do not object?â
âCertainly not.â
We all trooped out into the corridor, leaving the two doctors alone, and I heard the key turned in the lock behind us.
We went slowly down the stairs. I was violently excited. I have a certain talent for deduction, and Dr. Bauersteinâs manner had started a flock of wild surmises in my mind. Mary Cavendish laid her hand upon my arm.
âWhat is it? Why did Dr. Bauerstein seem soâpeculiar?â
I looked at her.
âDo you know what I think?â
âWhat?â
âListen!â I looked round, the others were out of earshot. I lowered my voice to a whisper. âI believe she has been poisoned! Iâm certain Dr. Bauerstein suspects it.â
âWhat?â She shrank against the wall, the pupils of her eyes dilating wildly. Then, with a sudden cry that startled me, she cried out: âNo, noânot thatânot that!â And breaking from me, fled up the stairs. I followed her, afraid that she was going to faint. I found her leaning against the bannisters, deadly pale. She waved me away impatiently.
âNo, noâleave me. Iâd rather be alone. Let me just be quiet for a minute or two. Go down to the others.â
I obeyed her reluctantly. John and Lawrence were in the dining-room. I joined them. We were all silent, but I suppose I voiced the thoughts of us all when I at last broke it by saying:
âWhere is Mr. Inglethorp?â
John shook his head.
âHeâs not in the house.â
Our eyes met. Where was Alfred Inglethorp? His absence was strange and inexplicable. I remembered Mrs. Inglethorpâs dying words. What lay beneath them? What more could she have told us, if she had had time?
At last we heard the doctors descending the stairs. Dr. Wilkins was looking important and excited, and trying to conceal an inward exultation under a manner of decorous calm. Dr. Bauerstein remained in the background, his grave bearded face unchanged. Dr. Wilkins was the spokesman for the two. He addressed himself to John:
âMr. Cavendish, I should like your consent to a post-mortem.â
âIs that necessary?â asked John gravely. A spasm of pain crossed his face.
âAbsolutely,â said Dr. Bauerstein.
âYou mean by thatââ?â
âThat neither Dr. Wilkins nor myself could give a death certificate under the circumstances.â
John bent his head.
âIn that case, I have no alternative but to agree.â
âThank you,â said Dr. Wilkins briskly. âWe propose that it should take place to-morrow nightâor rather to-night.â And he glanced at the daylight. âUnder the circumstances, I am afraid an inquest can hardly be avoidedâthese formalities are necessary, but I beg that you wonât distress yourselves.â
There was a pause, and then Dr. Bauerstein drew two keys from his pocket, and handed them to John.
âThese are the keys of the two rooms. I have locked them and, in my opinion, they would be better kept locked for the present.â
The doctors then departed.
I had been turning over an idea in my head, and I felt that the moment had now come to broach it. Yet I was a little chary of doing so. John, I knew, had a horror of any kind of publicity, and was an easygoing optimist, who preferred never to meet trouble half-way. It might be difficult to convince him of the soundness of my plan. Lawrence, on the other hand, being less conventional, and having more imagination, I felt I might count upon as an ally. There was no doubt that the moment had come for me to take the lead.
âJohn,â I said, âI am going to ask you something.â
âWell?â
âYou remember my speaking of my friend Poirot? The Belgian who is here? He has been a most famous detective.â
âYes.â
âI want you to let me call him inâto investigate this matter.â
âWhatânow? Before the post-mortem?â
âYes, time is an advantage ifâifâthere has been foul play.â
âRubbish!â cried Lawrence angrily. âIn my opinion the whole thing is a mareâs nest of Bauersteinâs! Wilkins hadnât an idea of such a thing, until Bauerstein put it into his head. But, like all specialists, Bauersteinâs got a bee in his bonnet. Poisons are his hobby, so of course he sees them everywhere.â
I confess that I was surprised by Lawrenceâs attitude. He was so seldom vehement about anything.
John hesitated.
âI canât feel as you do, Lawrence,â he said at last. âIâm inclined to give Hastings a free hand, though I should prefer to wait a bit. We donât want any unnecessary scandal.â
âNo, no,â I cried eagerly, âyou need have no fear of that. Poirot is discretion itself.â
âVery well, then, have it your own way. I leave it in your hands. Though, if it is as we suspect, it seems a clear enough case. God forgive me if I am wronging him!â
I looked at my watch. It was six oâclock. I determined to lose no time.
Five minutesâ delay, however, I allowed myself. I spent it in ransacking the library until I discovered a medical book which gave a description of strychnine poisoning.
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The 16th and 17th of July – Chapter 2
The Mysterious Affair at Styles by Agatha Christie

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I had arrived at Styles on the 5th of July. I come now to the events of the 16th and 17th of that month. For the convenience of the reader I will recapitulate the incidents of those days in as exact a manner as possible. They were elicited subsequently at the trial by a process of long and tedious cross-examinations.
I received a letter from Evelyn Howard a couple of days after her departure, telling me she was working as a nurse at the big hospital in Middlingham, a manufacturing town some fifteen miles away, and begging me to let her know if Mrs. Inglethorp should show any wish to be reconciled.
The only fly in the ointment of my peaceful days was Mrs. Cavendishâs extraordinary, and, for my part, unaccountable preference for the society of Dr. Bauerstein. What she saw in the man I cannot imagine, but she was always asking him up to the house, and often went off for long expeditions with him. I must confess that I was quite unable to see his attraction.
The 16th of July fell on a Monday. It was a day of turmoil. The famous bazaar had taken place on Saturday, and an entertainment, in connection with the same charity, at which Mrs. Inglethorp was to recite a War poem, was to be held that night. We were all busy during the morning arranging and decorating the Hall in the village where it was to take place. We had a late luncheon and spent the afternoon resting in the garden. I noticed that Johnâs manner was somewhat unusual. He seemed very excited and restless.
After tea, Mrs. Inglethorp went to lie down to rest before her efforts in the evening and I challenged Mary Cavendish to a single at tennis.
About a quarter to seven, Mrs. Inglethorp called us that we should be late as supper was early that night. We had rather a scramble to get ready in time; and before the meal was over the motor was waiting at the door.
The entertainment was a great success, Mrs. Inglethorpâs recitation receiving tremendous applause. There were also some tableaux in which Cynthia took part. She did not return with us, having been asked to a supper party, and to remain the night with some friends who had been acting with her in the tableaux.
The following morning, Mrs. Inglethorp stayed in bed to breakfast, as she was rather overtired; but she appeared in her briskest mood about 12.30, and swept Lawrence and myself off to a luncheon party.
âSuch a charming invitation from Mrs. Rolleston. Lady Tadminsterâs sister, you know. The Rollestons came over with the Conquerorâone of our oldest families.â
Mary had excused herself on the plea of an engagement with Dr. Bauerstein.
We had a pleasant luncheon, and as we drove away Lawrence suggested that we should return by Tadminster, which was barely a mile out of our way, and pay a visit to Cynthia in her dispensary. Mrs. Inglethorp replied that this was an excellent idea, but as she had several letters to write she would drop us there, and we could come back with Cynthia in the pony-trap.
We were detained under suspicion by the hospital porter, until Cynthia appeared to vouch for us, looking very cool and sweet in her long white overall. She took us up to her sanctum, and introduced us to her fellow dispenser, a rather awe-inspiring individual, whom Cynthia cheerily addressed as âNibs.â
âWhat a lot of bottles!â I exclaimed, as my eye travelled round the small room. âDo you really know whatâs in them all?â
âSay something original,â groaned Cynthia. âEvery single person who comes up here says that. We are really thinking of bestowing a prize on the first individual who does not say: âWhat a lot of bottles!â And I know the next thing youâre going to say is: âHow many people have you poisoned?ââ
I pleaded guilty with a laugh.
âIf you people only knew how fatally easy it is to poison someone by mistake, you wouldnât joke about it. Come on, letâs have tea. Weâve got all sorts of secret stores in that cupboard. No, Lawrenceâthatâs the poison cupboard. The big cupboardâthatâs right.â
We had a very cheery tea, and assisted Cynthia to wash up afterwards. We had just put away the last tea-spoon when a knock came at the door. The countenances of Cynthia and Nibs were suddenly petrified into a stern and forbidding expression.
âCome in,â said Cynthia, in a sharp professional tone.
A young and rather scared looking nurse appeared with a bottle which she proffered to Nibs, who waved her towards Cynthia with the somewhat enigmatical remark:
âIâm not really here to-day.â
Cynthia took the bottle and examined it with the severity of a judge.
âThis should have been sent up this morning.â
âSister is very sorry. She forgot.â
âSister should read the rules outside the door.â
I gathered from the little nurseâs expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded âSisterâ.
âSo now it canât be done until to-morrow,â finished Cynthia.
âDonât you think you could possibly let us have it to-night?â
âWell,â said Cynthia graciously, âwe are very busy, but if we have time it shall be done.â
The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door.
I laughed.
âDiscipline must be maintained?â
âExactly. Come out on our little balcony. You can see all the outside wards there.â
I followed Cynthia and her friend and they pointed out the different wards to me. Lawrence remained behind, but after a few moments Cynthia called to him over her shoulder to come and join us. Then she looked at her watch.
âNothing more to do, Nibs?â
âNo.â
âAll right. Then we can lock up and go.â
I had seen Lawrence in quite a different light that afternoon. Compared to John, he was an astoundingly difficult person to get to know. He was the opposite of his brother in almost every respect, being unusually shy and reserved. Yet he had a certain charm of manner, and I fancied that, if one really knew him well, one could have a deep affection for him. I had always fancied that his manner to Cynthia was rather constrained, and that she on her side was inclined to be shy of him. But they were both gay enough this afternoon, and chatted together like a couple of children.
As we drove through the village, I remembered that I wanted some stamps, so accordingly we pulled up at the post office.
As I came out again, I cannoned into a little man who was just entering. I drew aside and apologised, when suddenly, with a loud exclamation, he clasped me in his arms and kissed me warmly.
âMon ami Hastings!â he cried. âIt is indeed mon ami Hastings!â
âPoirot!â I exclaimed.
I turned to the pony-trap.
âThis is a very pleasant meeting for me, Miss Cynthia. This is my old friend, Monsieur Poirot, whom I have not seen for years.â
âOh, we know Monsieur Poirot,â said Cynthia gaily. âBut I had no idea he was a friend of yours.â
âYes, indeed,â said Poirot seriously. âI know Mademoiselle Cynthia. It is by the charity of that good Mrs. Inglethorp that I am here.â Then, as I looked at him inquiringly: âYes, my friend, she had kindly extended hospitality to seven of my countrypeople who, alas, are refugees from their native land. We Belgians will always remember her with gratitude.â
Poirot was an extraordinary looking little man. He was hardly more than five feet, four inches, but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. The neatness of his attire was almost incredible. I believe a speck of dust would have caused him more pain than a bullet wound. Yet this quaint dandified little man who, I was sorry to see, now limped badly, had been in his time one of the most celebrated members of the Belgian police. As a detective, his flair had been extraordinary, and he had achieved triumphs by unravelling some of the most baffling cases of the day.
He pointed out to me the little house inhabited by him and his fellow Belgians, and I promised to go and see him at an early date. Then he raised his hat with a flourish to Cynthia, and we drove away.
âHeâs a dear little man,â said Cynthia. âIâd no idea you knew him.â
âYouâve been entertaining a celebrity unawares,â I replied.
And, for the rest of the way home, I recited to them the various exploits and triumphs of Hercule Poirot.
We arrived back in a very cheerful mood. As we entered the hall, Mrs. Inglethorp came out of her boudoir. She looked flushed and upset.
âOh, itâs you,â she said.
âIs there anything the matter, Aunt Emily?â asked Cynthia.
âCertainly not,â said Mrs. Inglethorp sharply. âWhat should there be?â Then catching sight of Dorcas, the parlourmaid, going into the dining-room, she called to her to bring some stamps into the boudoir.
âYes, mâm.â The old servant hesitated, then added diffidently: âDonât you think, mâm, youâd better get to bed? Youâre looking very tired.â
âPerhaps youâre right, Dorcasâyesânoânot now. Iâve some letters I must finish by post-time. Have you lighted the fire in my room as I told you?â
âYes, mâm.â
âThen Iâll go to bed directly after supper.â
She went into the boudoir again, and Cynthia stared after her.
âGoodness gracious! I wonder whatâs up?â she said to Lawrence.
He did not seem to have heard her, for without a word he turned on his heel and went out of the house.
I suggested a quick game of tennis before supper and, Cynthia agreeing, I ran upstairs to fetch my racquet.
Mrs. Cavendish was coming down the stairs. It may have been my fancy, but she, too, was looking odd and disturbed.
âHad a good walk with Dr. Bauerstein?â I asked, trying to appear as indifferent as I could.
âI didnât go,â she replied abruptly. âWhere is Mrs. Inglethorp?â
âIn the boudoir.â
Her hand clenched itself on the banisters, then she seemed to nerve herself for some encounter, and went rapidly past me down the stairs across the hall to the boudoir, the door of which she shut behind her.
As I ran out to the tennis court a few moments later, I had to pass the open boudoir window, and was unable to help overhearing the following scrap of dialogue. Mary Cavendish was saying in the voice of a woman desperately controlling herself:
âThen you wonât show it to me?â
To which Mrs. Inglethorp replied:
âMy dear Mary, it has nothing to do with that matter.â
âThen show it to me.â
âI tell you it is not what you imagine. It does not concern you in the least.â
To which Mary Cavendish replied, with a rising bitterness:
âOf course, I might have known you would shield him.â
Cynthia was waiting for me, and greeted me eagerly with:
âI say! Thereâs been the most awful row! Iâve got it all out of Dorcas.â
âWhat kind of a row?â
âBetween Aunt Emily and him. I do hope sheâs found him out at last!â
âWas Dorcas there, then?â
âOf course not. She âhappened to be near the doorâ. It was a real old bust-up. I do wish I knew what it was all about.â
I thought of Mrs. Raikesâs gipsy face, and Evelyn Howardâs warnings, but wisely decided to hold my peace, whilst Cynthia exhausted every possible hypothesis, and cheerfully hoped, âAunt Emily will send him away, and will never speak to him again.â
I was anxious to get hold of John, but he was nowhere to be seen. Evidently something very momentous had occurred that afternoon. I tried to forget the few words I had overheard; but, do what I would, I could not dismiss them altogether from my mind. What was Mary Cavendishâs concern in the matter?
Mr. Inglethorp was in the drawing-room when I came down to supper. His face was impassive as ever, and the strange unreality of the man struck me afresh.
Mrs. Inglethorp came down last. She still looked agitated, and during the meal there was a somewhat constrained silence. Inglethorp was unusually quiet. As a rule, he surrounded his wife with little attentions, placing a cushion at her back, and altogether playing the part of the devoted husband. Immediately after supper, Mrs. Inglethorp retired to her boudoir again.
âSend my coffee in here, Mary,â she called. âIâve just five minutes to catch the post.â
Cynthia and I went and sat by the open window in the drawing-room. Mary Cavendish brought our coffee to us. She seemed excited.
âDo you young people want lights, or do you enjoy the twilight?â she asked. âWill you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out.â
âDo not trouble, Mary,â said Inglethorp. âI will take it to Emily.â He poured it out, and went out of the room carrying it carefully.
Lawrence followed him, and Mrs. Cavendish sat down by us.
We three sat for some time in silence. It was a glorious night, hot and still. Mrs. Cavendish fanned herself gently with a palm leaf.
âItâs almost too hot,â she murmured. âWe shall have a thunderstorm.â
Alas, that these harmonious moments can never endure! My paradise was rudely shattered by the sound of a well known, and heartily disliked, voice in the hall.
âDr. Bauerstein!â exclaimed Cynthia. âWhat a funny time to come.â
I glanced jealously at Mary Cavendish, but she seemed quite undisturbed, the delicate pallor of her cheeks did not vary.
In a few moments, Alfred Inglethorp had ushered the doctor in, the latter laughing, and protesting that he was in no fit state for a drawing-room. In truth, he presented a sorry spectacle, being literally plastered with mud.
âWhat have you been doing, doctor?â cried Mrs. Cavendish.
âI must make my apologies,â said the doctor. âI did not really mean to come in, but Mr. Inglethorp insisted.â
âWell, Bauerstein, you are in a plight,â said John, strolling in from the hall. âHave some coffee, and tell us what you have been up to.â
âThank you, I will.â He laughed rather ruefully, as he described how he had discovered a very rare species of fern in an inaccessible place, and in his efforts to obtain it had lost his footing, and slipped ignominiously into a neighbouring pond.
âThe sun soon dried me off,â he added, âbut Iâm afraid my appearance is very disreputable.â
At this juncture, Mrs. Inglethorp called to Cynthia from the hall, and the girl ran out.
âJust carry up my despatch-case, will you, dear? Iâm going to bed.â
The door into the hall was a wide one. I had risen when Cynthia did, John was close by me. There were therefore three witnesses who could swear that Mrs. Inglethorp was carrying her coffee, as yet untasted, in her hand.
My evening was utterly and entirely spoilt by the presence of Dr. Bauerstein. It seemed to me the man would never go. He rose at last, however, and I breathed a sigh of relief.
âIâll walk down to the village with you,â said Mr. Inglethorp. âI must see our agent over those estate accounts.â He turned to John. âNo one need sit up. I will take the latch-key.â
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I Go to Styles – Chapter 1
The Mysterious Affair at Styles by Agatha Christie

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The intense interest aroused in the public by what was known at the time as âThe Styles Caseâ has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist.
I will therefore briefly set down the circumstances which led to my being connected with the affair.
I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a monthâs sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his motherâs place in Essex.
We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.
âThe mater will be delighted to see you againâafter all those years,â he added.
âYour mother keeps well?â I asked.
âOh, yes. I suppose you know that she has married again?â
I am afraid I showed my surprise rather plainly. Mrs. Cavendish, who had married Johnâs father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.
Their country-place, Styles Court, had been purchased by Mr. Cavendish early in their married life. He had been completely under his wifeâs ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their step-mother, however, had always been most generous to them; indeed, they were so young at the time of their fatherâs remarriage that they always thought of her as their own mother.
Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.
John practised for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs. Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.
John noticed my surprise at the news of his motherâs remarriage and smiled rather ruefully.
âRotten little bounder too!â he said savagely. âI can tell you, Hastings, itâs making life jolly difficult for us. As for Evieâyou remember Evie?â
âNo.â
âOh, I suppose she was after your time. Sheâs the materâs factotum, companion, Jack of all trades! A great sportâold Evie! Not precisely young and beautiful, but as game as they make them.â
âYou were going to sayââ?â
âOh, this fellow! He turned up from nowhere, on the pretext of being a second cousin or something of Evieâs, though she didnât seem particularly keen to acknowledge the relationship. The fellow is an absolute outsider, anyone can see that. Heâs got a great black beard, and wears patent leather boots in all weathers! But the mater cottoned to him at once, took him on as secretaryâyou know how sheâs always running a hundred societies?â
I nodded.
âWell, of course the war has turned the hundreds into thousands. No doubt the fellow was very useful to her. But you could have knocked us all down with a feather when, three months ago, she suddenly announced that she and Alfred were engaged! The fellow must be at least twenty years younger than she is! Itâs simply bare-faced fortune hunting; but there you areâshe is her own mistress, and sheâs married him.â
âIt must be a difficult situation for you all.â
âDifficult! Itâs damnable!â
Thus it came about that, three days later, I descended from the train at Styles St. Mary, an absurd little station, with no apparent reason for existence, perched up in the midst of green fields and country lanes. John Cavendish was waiting on the platform, and piloted me out to the car.
âGot a drop or two of petrol still, you see,â he remarked. âMainly owing to the materâs activities.â
The village of Styles St. Mary was situated about two miles from the little station, and Styles Court lay a mile the other side of it. It was a still, warm day in early July. As one looked out over the flat Essex country, lying so green and peaceful under the afternoon sun, it seemed almost impossible to believe that, not so very far away, a great war was running its appointed course. I felt I had suddenly strayed into another world. As we turned in at the lodge gates, John said:
âIâm afraid youâll find it very quiet down here, Hastings.â
âMy dear fellow, thatâs just what I want.â
âOh, itâs pleasant enough if you want to lead the idle life. I drill with the volunteers twice a week, and lend a hand at the farms. My wife works regularly âon the landâ. She is up at five every morning to milk, and keeps at it steadily until lunchtime. Itâs a jolly good life taking it all roundâif it werenât for that fellow Alfred Inglethorp!â He checked the car suddenly, and glanced at his watch. âI wonder if weâve time to pick up Cynthia. No, sheâll have started from the hospital by now.â
âCynthia! Thatâs not your wife?â
âNo, Cynthia is a protĂ©gĂ©e of my motherâs, the daughter of an old schoolfellow of hers, who married a rascally solicitor. He came a cropper, and the girl was left an orphan and penniless. My mother came to the rescue, and Cynthia has been with us nearly two years now. She works in the Red Cross Hospital at Tadminster, seven miles away.â
As he spoke the last words, we drew up in front of the fine old house. A lady in a stout tweed skirt, who was bending over a flower bed, straightened herself at our approach.
âHullo, Evie, hereâs our wounded hero! Mr. HastingsâMiss Howard.â
Miss Howard shook hands with a hearty, almost painful, grip. I had an impression of very blue eyes in a sunburnt face. She was a pleasant-looking woman of about forty, with a deep voice, almost manly in its stentorian tones, and had a large sensible square body, with feet to matchâthese last encased in good thick boots. Her conversation, I soon found, was couched in the telegraphic style.
âWeeds grow like house afire. Canât keep even with âem. Shall press you in. Better be careful.â
âIâm sure I shall be only too delighted to make myself useful,â I responded.
âDonât say it. Never does. Wish you hadnât later.â
âYouâre a cynic, Evie,â said John, laughing. âWhereâs tea to-dayâinside or out?â
âOut. Too fine a day to be cooped up in the house.â
âCome on then, youâve done enough gardening for to-day. âThe labourer is worthy of his hireâ, you know. Come and be refreshed.â
âWell,â said Miss Howard, drawing off her gardening gloves, âIâm inclined to agree with you.â
She led the way round the house to where tea was spread under the shade of a large sycamore.
A figure rose from one of the basket chairs, and came a few steps to meet us.
âMy wife, Hastings,â said John.
I shall never forget my first sight of Mary Cavendish. Her tall, slender form, outlined against the bright light; the vivid sense of slumbering fire that seemed to find expression only in those wonderful tawny eyes of hers, remarkable eyes, different from any other womanâs that I have ever known; the intense power of stillness she possessed, which nevertheless conveyed the impression of a wild untamed spirit in an exquisitely civilised bodyâall these things are burnt into my memory. I shall never forget them.
She greeted me with a few words of pleasant welcome in a low clear voice, and I sank into a basket chair feeling distinctly glad that I had accepted Johnâs invitation. Mrs. Cavendish gave me some tea, and her few quiet remarks heightened my first impression of her as a thoroughly fascinating woman. An appreciative listener is always stimulating, and I described, in a humorous manner, certain incidents of my Convalescent Home, in a way which, I flatter myself, greatly amused my hostess. John, of course, good fellow though he is, could hardly be called a brilliant conversationalist.
At that moment a well remembered voice floated through the open French window near at hand:
âThen youâll write to the Princess after tea, Alfred? Iâll write to Lady Tadminster for the second day, myself. Or shall we wait until we hear from the Princess? In case of a refusal, Lady Tadminster might open it the first day, and Mrs. Crosbie the second. Then thereâs the Duchessâabout the school fĂȘte.â
There was the murmur of a manâs voice, and then Mrs. Inglethorpâs rose in reply:
âYes, certainly. After tea will do quite well. You are so thoughtful, Alfred dear.â
The French window swung open a little wider, and a handsome white-haired old lady, with a somewhat masterful cast of features, stepped out of it on to the lawn. A man followed her, a suggestion of deference in his manner.
Mrs. Inglethorp greeted me with effusion.
âWhy, if it isnât too delightful to see you again, Mr. Hastings, after all these years. Alfred, darling, Mr. Hastingsâmy husband.â
I looked with some curiosity at âAlfred darlingâ. He certainly struck a rather alien note. I did not wonder at John objecting to his beard. It was one of the longest and blackest I have ever seen. He wore gold-rimmed pince-nez, and had a curious impassivity of feature. It struck me that he might look natural on a stage, but was strangely out of place in real life. His voice was rather deep and unctuous. He placed a wooden hand in mine and said:
âThis is a pleasure, Mr. Hastings.â Then, turning to his wife: âEmily dearest, I think that cushion is a little damp.â
She beamed fondly on him, as he substituted another with every demonstration of the tenderest care. Strange infatuation of an otherwise sensible woman!
With the presence of Mr. Inglethorp, a sense of constraint and veiled hostility seemed to settle down upon the company. Miss Howard, in particular, took no pains to conceal her feelings. Mrs. Inglethorp, however, seemed to notice nothing unusual. Her volubility, which I remembered of old, had lost nothing in the intervening years, and she poured out a steady flood of conversation, mainly on the subject of the forthcoming bazaar which she was organizing and which was to take place shortly. Occasionally she referred to her husband over a question of days or dates. His watchful and attentive manner never varied. From the very first I took a firm and rooted dislike to him, and I flatter myself that my first judgments are usually fairly shrewd.
Presently Mrs. Inglethorp turned to give some instructions about letters to Evelyn Howard, and her husband addressed me in his painstaking voice:
âIs soldiering your regular profession, Mr. Hastings?â
âNo, before the war I was in Lloydâs.â
âAnd you will return there after it is over?â
âPerhaps. Either that or a fresh start altogether.â
Mary Cavendish leant forward.
âWhat would you really choose as a profession, if you could just consult your inclination?â
âWell, that depends.â
âNo secret hobby?â she asked. âTell meâyouâre drawn to something? Everyone isâusually something absurd.â
âYouâll laugh at me.â
She smiled.
âPerhaps.â
âWell, Iâve always had a secret hankering to be a detective!â
âThe real thingâScotland Yard? Or Sherlock Holmes?â
âOh, Sherlock Holmes by all means. But really, seriously, I am awfully drawn to it. I came across a man in Belgium once, a very famous detective, and he quite inflamed me. He was a marvellous little fellow. He used to say that all good detective work was a mere matter of method. My system is based on hisâthough of course I have progressed rather further. He was a funny little man, a great dandy, but wonderfully clever.â
âLike a good detective story myself,â remarked Miss Howard. âLots of nonsense written, though. Criminal discovered in last chapter. Everyone dumbfounded. Real crimeâyouâd know at once.â
âThere have been a great number of undiscovered crimes,â I argued.
âDonât mean the police, but the people that are right in it. The family. You couldnât really hoodwink them. Theyâd know.â
âThen,â I said, much amused, âyou think that if you were mixed up in a crime, say a murder, youâd be able to spot the murderer right off?â
âOf course I should. Mightnât be able to prove it to a pack of lawyers. But Iâm certain Iâd know. Iâd feel it in my fingertips if he came near me.â
âIt might be a âsheâ,â I suggested.
âMight. But murderâs a violent crime. Associate it more with a man.â
âNot in a case of poisoning.â Mrs. Cavendishâs clear voice startled me. âDr. Bauerstein was saying yesterday that, owing to the general ignorance of the more uncommon poisons among the medical profession, there were probably countless cases of poisoning quite unsuspected.â
âWhy, Mary, what a gruesome conversation!â cried Mrs. Inglethorp. âIt makes me feel as if a goose were walking over my grave. Oh, thereâs Cynthia!â
A young girl in V.A.D. uniform ran lightly across the lawn.
âWhy, Cynthia, you are late to-day. This is Mr. HastingsâMiss Murdoch.â
Cynthia Murdoch was a fresh-looking young creature, full of life and vigour. She tossed off her little V.A.D. cap, and I admired the great loose waves of her auburn hair, and the smallness and whiteness of the hand she held out to claim her tea. With dark eyes and eyelashes she would have been a beauty.
She flung herself down on the ground beside John, and as I handed her a plate of sandwiches she smiled up at me.
âSit down here on the grass, do. Itâs ever so much nicer.â
I dropped down obediently.
âYou work at Tadminster, donât you, Miss Murdoch?â
She nodded.
âFor my sins.â
âDo they bully you, then?â I asked, smiling.
âI should like to see them!â cried Cynthia with dignity.
âI have got a cousin who is nursing,â I remarked. âAnd she is terrified of âSistersâ.â
âI donât wonder. Sisters are, you know, Mr. Hastings. They simp-ly are! Youâve no idea! But Iâm not a nurse, thank heaven, I work in the dispensary.â
âHow many people do you poison?â I asked, smiling.
Cynthia smiled too.
âOh, hundreds!â she said.
âCynthia,â called Mrs. Inglethorp, âdo you think you could write a few notes for me?â
âCertainly, Aunt Emily.â
She jumped up promptly, and something in her manner reminded me that her position was a dependent one, and that Mrs. Inglethorp, kind as she might be in the main, did not allow her to forget it.
My hostess turned to me.
âJohn will show you your room. Supper is at half-past seven. We have given up late dinner for some time now. Lady Tadminster, our Memberâs wifeâshe was the late Lord Abbotsburyâs daughterâdoes the same. She agrees with me that one must set an example of economy. We are quite a war household; nothing is wasted hereâevery scrap of waste paper, even, is saved and sent away in sacks.â
I expressed my appreciation, and John took me into the house and up the broad staircase, which forked right and left half-way to different wings of the building. My room was in the left wing, and looked out over the park.
John left me, and a few minutes later I saw him from my window walking slowly across the grass arm in arm with Cynthia Murdoch. I heard Mrs. Inglethorp call âCynthiaâ impatiently, and the girl started and ran back to the house. At the same moment, a man stepped out from the shadow of a tree and walked slowly in the same direction. He looked about forty, very dark with a melancholy clean-shaven face. Some violent emotion seemed to be mastering him. He looked up at my window as he passed, and I recognized him, though he had changed much in the fifteen years that had elapsed since we last met. It was Johnâs younger brother, Lawrence Cavendish. I wondered what it was that had brought that singular expression to his face.
Then I dismissed him from my mind, and returned to the contemplation of my own affairs.
The evening passed pleasantly enough; and I dreamed that night of that enigmatical woman, Mary Cavendish.
The next morning dawned bright and sunny, and I was full of the anticipation of a delightful visit.
I did not see Mrs. Cavendish until lunch-time, when she volunteered to take me for a walk, and we spent a charming afternoon roaming in the woods, returning to the house about five.
As we entered the large hall, John beckoned us both into the smoking-room. I saw at once by his face that something disturbing had occurred. We followed him in, and he shut the door after us.
âLook here, Mary, thereâs the deuce of a mess. Evieâs had a row with Alfred Inglethorp, and sheâs off.â
âEvie? Off?â
John nodded gloomily.
âYes; you see she went to the mater, andâOh,âhereâs Evie herself.â
Miss Howard entered. Her lips were set grimly together, and she carried a small suit-case. She looked excited and determined, and slightly on the defensive.
âAt any rate,â she burst out, âIâve spoken my mind!â
âMy dear Evelyn,â cried Mrs. Cavendish, âthis canât be true!â
Miss Howard nodded grimly.
âTrue enough! Afraid I said some things to Emily she wonât forget or forgive in a hurry. Donât mind if theyâve only sunk in a bit. Probably water off a duckâs back, though. I said right out: âYouâre an old woman, Emily, and thereâs no fool like an old fool. The manâs twenty years younger than you, and donât you fool yourself as to what he married you for. Money! Well, donât let him have too much of it. Farmer Raikes has got a very pretty young wife. Just ask your Alfred how much time he spends over there.â She was very angry. Natural! I went on, âIâm going to warn you, whether you like it or not. That man would as soon murder you in your bed as look at you. Heâs a bad lot. You can say what you like to me, but remember what Iâve told you. Heâs a bad lot!ââ
âWhat did she say?â
Miss Howard made an extremely expressive grimace.
ââDarling Alfredâââdearest Alfredâââwicked calumniesâ ââwicked liesâââwicked womanââto accuse her âdear husband!â The sooner I left her house the better. So Iâm off.â
âBut not now?â
âThis minute!â
For a moment we sat and stared at her. Finally John Cavendish, finding his persuasions of no avail, went off to look up the trains. His wife followed him, murmuring something about persuading Mrs. Inglethorp to think better of it.
As she left the room, Miss Howardâs face changed. She leant towards me eagerly.
âMr. Hastings, youâre honest. I can trust you?â
I was a little startled. She laid her hand on my arm, and sank her voice to a whisper.
âLook after her, Mr. Hastings. My poor Emily. Theyâre a lot of sharksâall of them. Oh, I know what Iâm talking about. There isnât one of them thatâs not hard up and trying to get money out of her. Iâve protected her as much as I could. Now Iâm out of the way, theyâll impose upon her.â
âOf course, Miss Howard,â I said, âIâll do everything I can, but Iâm sure youâre excited and overwrought.â
She interrupted me by slowly shaking her forefinger.
âYoung man, trust me. Iâve lived in the world rather longer than you have. All I ask you is to keep your eyes open. Youâll see what I mean.â
The throb of the motor came through the open window, and Miss Howard rose and moved to the door. Johnâs voice sounded outside. With her hand on the handle, she turned her head over her shoulder, and beckoned to me.
âAbove all, Mr. Hastings, watch that devilâher husband!â
There was no time for more. Miss Howard was swallowed up in an eager chorus of protests and good-byes. The Inglethorps did not appear.
As the motor drove away, Mrs. Cavendish suddenly detached herself from the group, and moved across the drive to the lawn to meet a tall bearded man who had been evidently making for the house. The colour rose in her cheeks as she held out her hand to him.
âWho is that?â I asked sharply, for instinctively I distrusted the man.
âThatâs Dr. Bauerstein,â said John shortly.
âAnd who is Dr. Bauerstein?â
âHeâs staying in the village doing a rest cure, after a bad nervous breakdown. Heâs a London specialist; a very clever manâone of the greatest living experts on poisons, I believe.â
âAnd heâs a great friend of Maryâs,â put in Cynthia, the irrepressible.
John Cavendish frowned and changed the subject.
âCome for a stroll, Hastings. This has been a most rotten business. She always had a rough tongue, but there is no stauncher friend in England than Evelyn Howard.â
He took the path through the plantation, and we walked down to the village through the woods which bordered one side of the estate.
As we passed through one of the gates on our way home again, a pretty young woman of gipsy type coming in the opposite direction bowed and smiled.
âThatâs a pretty girl,â I remarked appreciatively.
Johnâs face hardened.
âThat is Mrs. Raikes.â
âThe one that Miss Howardâââ
âExactly,â said John, with rather unnecessary abruptness.
I thought of the white-haired old lady in the big house, and that vivid wicked little face that had just smiled into ours, and a vague chill of foreboding crept over me. I brushed it aside.
âStyles is really a glorious old place,â I said to John.
He nodded rather gloomily.
âYes, itâs a fine property. Itâll be mine some dayâshould be mine now by rights, if my father had only made a decent will. And then I shouldnât be so damned hard up as I am now.â
âHard up, are you?â
âMy dear Hastings, I donât mind telling you that Iâm at my witsâ end for money.â
âCouldnât your brother help you?â
âLawrence? Heâs gone through every penny he ever had, publishing rotten verses in fancy bindings. No, weâre an impecunious lot. My motherâs always been awfully good to us, I must say. That is, up to now. Since her marriage, of courseâââ he broke off, frowning.
For the first time I felt that, with Evelyn Howard, something indefinable had gone from the atmosphere. Her presence had spelt security. Now that security was removedâand the air seemed rife with suspicion. The sinister face of Dr. Bauerstein recurred to me unpleasantly. A vague suspicion of everyone and everything filled my mind. Just for a moment I had a premonition of approaching evil.
What do you think about what youâve just read? Share your thoughts in the comments by clicking the button below!
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Rear Window With a Different View
A kernel of an idea…
In my late twenties I lived in a 6-story walk-up 1-bedroom apartment. What made it unique wasnât the lack of an elevator, though it was murder doing laundry and hauling up a full weekâs worth of groceries, let me tell you! No, what made it a place Iâll never forget is the set-up.
Three buildings; A, B, and C. Each of them together created a sort of square, like my little diagram below shows:

I actually went to Google Maps and got this screenshot of what the front of the building looks like. I didnât remember that it was actually more round on the facade. Anyway, what I loved about living there, besides the fact that it was straight out of a Hitchcock movie, was the sounds. At any given moment I could open my window and hear the many different sounds coming from peoples apartments. Kitchen pans, children playing, adults talking, most of them in Spanish. Then there was the opera singers. They really were the highlight of the time I spent there. On the weekends they would play a record and then sing along to it. I wish I had recorded it because they were amazing. I never met them and I couldnât tell you which apartment was theirs. I just know that it was a man and woman and their voices filled the air. I assume they were rehearsing and singing operatic music was their job and I basically got to hear some great songs for free from my apartment window.

Why am I sharing all this from my past? Well, bringing it all back to the movie Rear Window, (have you seen that movie by the way? If you havenât, I suggest you watch it because itâs really good) Iâve been thinking a lot about this movie. More importantly about the point-of-view the movie gives us.
A brief background, the movie is based on Cornell Woolrich’s 1942 short story âIt Had to Be Murder.â The premise being, when a famed action photographer hurts his leg while on the job is forced to stay at home to recuperate, he witnesses what can only be seen as murder by a neighbor in the apartment building opposite him. Along the way he convinces his devilishly attractive femme fatale girlfriend and physical therapist that the man heâs been spying on has indeed murdered his wife. Of course, he spends most of his day spying on all of his neighbors but the murderer is whatâs important to the story.

And for some reason it got me wondering what the story would be like if we were to view it from the point of view of the murderer? Lars Thorwald would be quite an interesting character to dissect. For instance, where should that story begin? There are a lot of assumptions that must be made by us, the viewer, as well as Jefferies (the main character) when coming up with a reason for why Lars felt the need to commit murder on his own wife. Sure, we see one scene where the wife is clearly berating her husband. Something she probably did often enough to him and he likely was sick of it. We also suppose he has a mistress who colludes with him to get the wife out of the way.
But to tell the story from the point of view of Lars, I wonder if going back to right before his wife ended up bed-ridden. What was the reason for it? In the movie Jefferies makes a passive statement about how she all of a sudden got sick and spent most of her days in bed complaining to her husband all the time. Is it possible that Lars was poisoning his wife but realized this method was simply taking too damn long?
Then thereâs being in the room when it happens. And by âitâ I do mean the murder and eventual dismembering of the body. I still chuckle at the infamous lines near the end of the movie, after we find out that Lars is confessing to everything and the nurse is tending to Jefferies after he just fell out his own window (breaking his other leg by the way), an officer shouts down that the body parts are scattered all over like she supposed. And the head? In a hat box in the apartment. The smug detective and friend to Jefferies who refused to believe his crazy story that the neighbor killed his wife, asks the nurse if sheâd like to see it. The hat box. And she says, âNo thanks, I donât want any part of it.â Get it? Yeah, well, I guess you need to have seen the movieâŠ
All this leads me to my May curio fiction story. Itâs still a bit rough around the edges but, picture this, a recently retired blue collar worker now spends most days as nurse-maid to his sickly wife who nags him incessantly. While out grocery shopping he bumps into a really pretty woman (maybe younger?) who sympathizes with him over coffee and pretty soon they fall in love. But he canât run off with her, heâs got his wife to think about! Or does he? The idea to commit murder comes up (I wonder who initially mentions it?) and though their plan seems foolproof they donât realize a nosey neighbor across the way may have just witnessed the whole thing. Now, I realize itâs nearly on the nose to the original which is why I want to do a few more major tweaks to the story. For instance, what if the whole idea to kill his wife is just a ruse being played on the woman he meets to con her out of money and they do this sort of thing, he and his wife, all the time? Itâs a bit weebly-wobbly but you get where Iâm going with this.
The main idea is the entire story must be seen through the eyes of the murderer and because I want to include it in my curio fiction collection of short stories, it needs to incorporate a typewriter in some way as well.
What story have you read/watched recently that you think could be interesting if told from a different characters POV?
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Welcome to the Club, Murderers…
Rule #1 Kill or be killed!
True confession: I have always wanted to be in a club like this. But rather than wait to find one or for one to find me I thought Iâd set out to create it myself. Even if it is just a club with one member, myself, it will be worth it!
Our goal is always to killâem with great stories of mystery and suspense. Were they to be alive today I would hope the likes of Alfred Hitchcock and Agatha Christie would not only be members but would serve as co-presidents! Hopefully, that will help you to understand the kind of club this will be and already is.
For starters, we are all writers, or at least, readers of a specific genre of story; mystery and thriller.
Itâs no all about blood and gore and violence. It takes much more skill and deference to details in order to weave a tale that will keep the reader guessing till the last sentence. I, myself, do not possess such a skill but with your help and through the books weâll read and analyze along the way, Iâm sure weâll improve exponentially.
Iâll kick things off my recommending a book for us all to read. Iâll try to make sure the books are free in the public domain and therefore easy to find, but in the future I want us to expand to newer material. Perhaps short stories as well and not just novels.
Whenever possible Iâll host Watch Partyâs for movies that we can watch together within the genres we are talking about. The Alfred Hitchcock Hour comes to mind as a possibility as well as other things.
But first, before I get all carried away, I want to thank you for opting-in to receive these emails. If you can introduce yourself in the comments and let us know a little bit about yourself, what you enjoy about murder, and what you hope to learn/do while a member of the club?
Iâll check periodically for new members and when I see a considerable number of newbies I will send another welcome email similar to this one. If you know of anyone who would enjoy to be a member of such a club (writer or reader) please do pass this email along to them and they can sign-up below:
Just remind them to OPT-IN to The Murder Pen Club or they wonât get any of these secret emails!
THE ASSIGNMENT
In the meantime, we will be starting by reading The Mysterious Affair at Styles. As murders go, itâs a doozy. Written by the Queen of Mystery herself, Dame Agatha Christie, itâs reported as being her first novel featuring the famed detective Hercule Poirot. Itâs a great way to start us off in this club and I look forward to conversing with you on the reading every Thursday.
Mark your calendars for June 28th when weâll have a Watch Party to see The Mysterious Affair at Styles together! Starring David Suchet as Hercule Poirot.
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Are You a Faithful or a Traitor?
A look at every show I’ve seen haven’t seen.

This is a question my best friend of over three decades asked me the other day. For some context, he introduced me to the US version of The Traitors about a month ago and through little coaxing on my part, my wife is HOOKED! Dare I say it, as hooked as she is on Survivor, a show she would not miss ever!
Who are The Traitors?
Take a group of people (reality celebrities or regular people) and put them in a house, give them missions to win money, but add a twist that they must find a small group of traitors amongst themselves. Usually itâs 2 – 3 traitors in a group of 20+ players. Those who are not secretly chosen to be a traitor are a faithful. Everyoneâs job is to work together to add money to the prize pot. But while this is happening the traitors are âmurderingâ faithfuls every night and faithfuls are given the same opportunity to âbanishâ a player before nightfall in the hopes of getting rid of the traitors. Should even ONE traitor be amongst them in the end of the game they take ALL of the money. If the faithfuls manage to get all the traitors out then they split the money.
WARNING:
If you have not seen this show but want to, STOP READING HERE as I fully intend on spilling spoilers throughout this review!

The Traitors US
Season 1 I could tell was clearly a major test season. A mix of reality celebrities and regular people. A great idea in theory but horrible in practice. The reality stars are used to backstabbing and lying and playing the traitor game while the regular people just arenât and therefore take things a bit too personal. Iâd say the show learned a lot after the first season when the winner ended up crushing the very souls of those who came up losing. If youâve never seen Survivor before then you may not be familiar with Cirie. She was pretty bad ass on that show and even more on The Traitors as a traitor. She played everybody and got away with it right up until the end when the two faithfuls, and non-reality players, were left to realize just how duped they were. It really was a masterful game played even if the non-reality players took it way too seriously and were hurt by all the lies.
But The Traitors is ALL about the lies, and the drama, so when it came to Season 2, the US decided to do away with bringing on regular people and doubled down on reality tv celebrities. My wife and I both felt like our minds had melted from all the absolute and utter drama that came out of that second season. It was a lot to take in but like every other reality television show, the editing was marvelous. It kept us coming back for more each time to the point where we were watching two and three episodes a night to fast track out way through it. This season actually ended in a pretty, I feel, shitty way. It took a turn that I saw coming about halfway through and in many ways it made me see why maybe having an all reality show cast might not make for the best television. I see why they chose this route, it brings the eyeballs, but wait till we get to the other countries. I think they prove that reality tv isnât everything.
I want to say one last note about the host of this show. It is filmed at Ardross Castle, a 19th-century castle in the Scottish Highlands, and the host is none other than Alan Cumming. Best known for broadway performances and I loved him in The Good Wife. Heâs brilliant. Heâs over the top. His fashion is beyond reproach. I look to him as the ultimate Traitor host but Iâm trying to be open-minded when it comes to the different personalities of the other hosts as well.
The Traitors UK
Now, my wife and I are right at the end of Season 1, with just one episode left to see who the winner(s) will be. The first and most obvious thing up front is that the players are all regular people. Sure, there is one actress, dear, sweet, Maddy. It took me a really long time to find her IMDb page but yes, I can confirm she was a homeless person in East Enders. Anyway, watching this season, and maybe itâs just because theyâre all British, I am finding the fact that they are all regular people refreshing. A great palette cleanser after the non-stop drama of Season 2 of The Traitors US. It changed nothing about the way the game is played except for the strategizing that the traitors did together. I appreciated how they truly worked together, up to a point, and werenât trying to back stab each other from the start.
Something else I found interesting is that all of the challenges were the same from The Traitors US. When we realized this we both werenât sure how weâd feel but in all honesty, I started to get excited about it cause I knew the challenge and couldnât wait to see how this group would handle them. Because each season will be an entirely different group of people I wouldnât be mad if Season 2 and 3 reused the same challenges. I also suspect they did this for budgetary reasons but now that the show is growing in popularity they will be able to expand and introduce brand new challenges for each country that we havenât seen.
Having not watched the end of Season 1 I hope the traitor(s) donât win. My favorite player, a traitor, was just thrown under the bus by their fellow traitor and Iâm gutted. Emotions are raw in my mind at how it all went down. Yes, Will played and is playing a great game. But Amanda was my girl and she deserved to shock them all and be there in the end.
About the host. Claudia Winkleman is best known for Strictly Come Dancing which she has been a part of since 2010. If Iâm being honest, Iâve never watched the show so I canât speak to her personality there. In the beginning I was indifferent towards her rather stoic personality. I couldnât read her quite as well because she seems to always have a rather straight face on. Then I realized I was comparing her to Alan Cumming and that just isnât fair to her. I am starting to warm to her as the game continues and now that we are one away she is truly bad ass and I canât wait to see her in Season 2.
The Traitors Australia, NZ & Canada
I am putting all three of these together because I havenât gotten to watch them yet. But my wife and I have every intention of getting through them as we kill time till the next season of The Traitors US returns in 2025. Iâm most excited for each one for so many different reasons:
Australia for their accents. I just love a great Aussie accent, donât you? And I believe this show takes place in a creepy large hotel rather than a castle like the others.
NZ for their vulgarity. I thought the UK was vulgar after watching The Taskmaster. But then we watched The Taskmaster NZ and realized the original is pretty clean and tame in comparison. So bring on the cursing shenanigans NZ. I know you wonât disappoint.
Canada will introduce another female host of the show so that should be exciting. Iâm also looking forward to one of the reality show celebrities that will be in their first season, a previous winner of Survivor. Iâm not sure if the first season mimics that of The Traitors US season one where itâs a mix of reality show and regular people.
AM I A TRAITOR OR A FAITHFUL?
You didnât think Iâd write all this up without answering the damn question in the end did you? I wouldnât do that!
My instinct was to say âI am a traitorâ but then I had a good long think to myself. What I love most about all the mystery books and tv shows I watch isnât the villian but the person who is solving the crime. Putting together the clues to uncover who the murderer is.
So, while the idea of being a traitor is intriguing, I have to be honest and say, âI AM A FAITHFUL,â with a caveatâŠ
Should the traitors find themselves one man/woman down, and I am asked to join their ranks? Oh, I would, in a heartbeat!
Make of that answer what you willâŠ
Now, I throw the ball back in your courtâŠ
ARE YOU A TRAITOR OR A FAITHFUL?
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"The Mysterious Affair at Styles" by Agatha Christie, A Long Read
Let’s read, discuss, and learn about this classic together!
Agatha Christie is the Queen of Mystery for a reason and I aim to uncover all she has to teach me by reading her books and, if time permits, watching the series (old and new) that are based on her many books.

The Set-up
Every week for the next 13 weeks Iâm going to read one chapter and share the chapter with you including my notes via email. With chapters of varying length (one is 8k+ while others are around 2k) I may need to alternate between having a full chapter and my notes separate.
The Hook
I hope the âhookâ in this instance will be getting to read an Agatha Christie classic together. But, in case you require something more, on Friday, June 28th (time pending) as a sort of âwrap-upâ party after our read along, I will host a Watch Party of The Mysterious Affair at Styles just for those who are members of the Murder Pen Club and participate in the reading!
Of course, as he is my favorite Poirot, it will be David Suchet in the lead role.
The Tale
Hastings renews his friendship with Poirot and involves him in the mysterious poisoning of the mistress of a manor house married to a man twenty years her junior.
The Wire
The Mysterious Affair at Styles is the first detective novel by British writer Agatha Christie, introducing her fictional detective Hercule Poirot. It was written in the middle of the First World War, in 1916, and first published by John Lane in the United States in October 1920 and in the United Kingdom by The Bodley Head (John Lane’s UK company) on 21 January 1921.
The Breakdown
When will all this begin, you might be asking yourself? Thursdays are for Agatha Christie beginning April 4th and ending on June 27th (my 40th birthday). I can think of no better queen to celebrate with!
The Shut-Out
Sometimes you want to do more than just read the work. Why not listen to it? Here is the BBC recording, featuring John Moffat as the Belgium detective, Hercule Poirot.